The Banquet (2006 film)

The Banquet

Film poster
Traditional 夜宴
Mandarin Yè Yàn
Directed by Feng Xiaogang
Produced by John Chong
Wang Zhongjun
Written by Qiu Gangjian
Sheng Heyu
Starring Zhang Ziyi
Ge You
Daniel Wu
Zhou Xun
Music by Tan Dun
Cinematography Zhang Li
Xie Ze
Lam Fai-tai
Edited by Liu Miaomiao
Distributed by Huayi Brothers
Media Asia Films
Release dates
  • September 15, 2006 (2006-09-15)
Running time
 131 minutes
Country China
Language Mandarin
Budget 127 million Yuan

The Banquet, released on DVD in the United States as Legend of the Black Scorpion, is a 2006 Chinese wuxia drama film. The film was directed by Feng Xiaogang and stars Zhang Ziyi, Ge You, Daniel Wu and Zhou Xun. It is a loose adaption of William Shakespeare's tragedy Hamlet and Henrik Ibsen's play Ghosts, featuring themes of revenge and fate. It is set in the Five Dynasties and Ten Kingdoms period in 10th century China.

Plot

It is the end of the Tang Dynasty and China is divided. The Crown Prince, Wu Luan, is deeply in love with the noblewoman Little Wan. However, his father, the Emperor, decides to marry Little Wan. Wu Luan, deeply hurt, flees to a remote theatre to study the arts of music and dance. Shortly after Wu Luan's departure, the Emperor is murdered by his brother, Li. The film begins as Empress Wan sends messengers to the theatre, informing Wu Luan that the Emperor has died, and that his uncle will succeed the throne. Unknown to Wan, the usurping Emperor Li has already dispatched riders to assassinate Wu Luan. However, Wu Luan survives the attack and returns to court where he is met by Empress Wan and her lady-in-waiting Qing Nu, the daughter of Minister Yin, who is officially still engaged to Wu Luan.

The tension in the Imperial Court is high, and when a palace official, Governor Pei Hong, greets Empress Wan as 'Empress Dowager', he and his family are sentenced to a violent death. With his death, Minister Yin's son, General Yin Sun, is sent to fill the position in a distant province, greatly weakening Yin Taichang's position in the court. Wu Luan is asked by the Emperor to perform a brief swordplay ceremony, to practise for the Empress' upcoming coronation. While sparring with harmless swords, the Imperial Guard suddenly produce sharpened swords and attempt to kill Wu Luan. The ceremony is stopped by the Empress, who implies that the Emperor was trying to murder Wu Luan in the ceremony and make it look like an accident. Later in his chambers, a scroll drops mysteriously from the upper balcony to Wu Luan, depicting his father being murdered by his uncle by blowing poison into his ear. Wu Luan enquires at an apothecary, who reveals that the poison used is made from Arsenic trioxide and black scorpions, and nothing on earth is more deadly except for "the human heart".

Meanwhile, the Empress Wan is to have a new coronation ceremony. As a special treat, Wu Luan is required to perform a swordplay ceremony. Instead, as an accomplished singer and dancer, Wu Luan stages a masked mime play that exposes his uncle as his father's murderer. The Emperor is notably shaken, but manages to conjure a plan to remove Wu Luan. Rather than kill the prince and risk alienating Empress Wan, he decides Wu Luan would be traded as a hostage for the prince of a neighbouring kingdom, the Khitans, although it is known that the neighbour prince is an imposter. An ambush by the emperor's men is set up the snowy border with the Khitans' kingdom in the north, but the Yin Taichang's son Yin Sun, following the Empress's command, saves the prince.

Believing that his nephew is dead, and power is firmly in his grip, the Emperor calls for a grand banquet. The Empress comments that it would be bad luck to organise such an auspicious occasion on their 100th day of knowing each other, but the Emperor claims he does not surrender to superstitions. The Empress then decides to poison the Emperor, using the same poison that was used to kill the previous Emperor. All goes according to plan until Qing Nu takes to the stage, claiming to have planned another performance for the occasion, and in tribute to her fiancé, she wears her theatre mask. The scheme to poison the emperor fails as the cup he was to drink out of is instead given to Qing Nu out of respect and partly of pity for her. Upon the climax of the dance, Qing Nu falls down dead on stage, and Wu Luan reveals himself to comfort her in her dying moments. The Emperor realises in horror that the Empress had plotted his death. After a confrontation with Wu Luan, the Emperor commits suicide by drinking the rest of the poisoned wine intended for him. Upon Emperor Li's death, the Empress proclaims Wu Luan the new Emperor. However, Yin Sun, enraged by his sister's death, attempts to kill the Empress to avenge his sister. His blade is stopped by the hand of Wu Luan, and he proclaims in fear that the knife is poisoned. The Empress stabs him through the neck, killing him instantly, but Wu Luan has fatally poisoned himself in the process. Empress Wan is proclaimed Empress Regnant by the Lord Chamberlain.

In the closing scenes, Empress Wan grasps bright red cloth and speaks of the "flames of desire" that she has satiated by taking the throne. Through her private celebrations, she is suddenly pierced by a flying blade from an unknown source. As she is dying, she turns around to face her assailant. Her confusion shifts to horror and anguish, as the blade is then dropped into a mossy koi bed, and the blood soaks the water. The film abruptly finishes, with the audience unsure who the mysterious assailant was.

Ending

The ambiguity of the ending can produce many interpretations of who the assailant may be. Asian film critic, Bey Logan, makes a claim that the film makers initially planned for the maid, Ling, to be the mysterious assailant, and the current version of the film still shows more shots of Ling than would be normally expected of such a minor non-speaking character. A popular interpretation is that it is a manifestation of the previous Emperor, exacting revenge and justice.

When paired with the film's sung theme, the ending most likely references Louis Cha's wuxia novella Sword of the Yue Maiden. In Sword of the Yue Maiden, the tale concludes with the beautiful female clutching her waist in pain with an expression "so beautiful that it will take away the soul of any man who looks upon her", similar to Empress Wan's final expression.

Cast

Festivals and awards

The Banquet had its international premiere at the Venice Film Festival,[1] where it received the Future Film Festival Digital Award.[2] Parts of the film had been previewed by film buyers during the 2006 Cannes Film Festival in May, where a promotional event for the film was hosted.

The film was screened at the 2006 Toronto International Film Festival on the same day it opened to wide release in China. It received the People's Choice Award at the 4th World Film Festival of Bangkok, where it was screened two weeks before its wide release in Thailand.

The Banquet was chosen as Hong Kong's entry for the Academy Award for Best Foreign Language Film, while China's entry was Zhang Yimou's Curse of the Golden Flower.[3]

The Banquet won two awards out of five nominations at the 43rd Golden Horse Awards in Taiwan. Art Director Tim Yip won for both Best Art Direction and Best Make up and Costume Design. The 3 other nominations were Best Cinematography (Li Zhang), Best Original Score (Dun Tan), and Best Song (Jane Zhang).[4] Co-star Xun Zhou, who plays Qing Nu, (Best Actress) and Stunt Choreographer Jyun Woping (Best Stunt Choreography) won awards for other films.

See also

References

  1. ↑ "Venice critics want a more Chinese 'Banquet'", Xinhua, 5 September 2006.
  2. ↑ 63rd Venice Film Festival – 2006 Awards, Alternative Film Guide (retrieved 23 October 2006).
  3. ↑ "'Curse,' 'The Banquet' picked as Oscar entries", Associated Press via Chinadotcom, 3 October 2006.
  4. ↑ (Chinese) Golden Horse Awards official homepage 43rd Golden Horse awards winners and nominees list Retrieved 21 May 2011
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