The Police

This article is about the band. For law enforcement organisations, see Police. For other uses, see Police (disambiguation).
The Police

The Police onstage

Summers (far right), Sting (front), Copeland (drums). The Police performing, Madison Square Garden, New York City, 1 August 2007
Background information
Origin London, England
Genres
Years active
  • 1977–1986
  • 2007–2008
Labels
Associated acts
Website thepolice.com
Past members

The Police were an English new wave band formed in London in 1977.[1] For most of their history the band consisted of Sting (lead vocals, bass guitar, primary songwriter), Andy Summers (guitar) and Stewart Copeland (drums, percussion). The Police became globally popular in the late 1970s and are generally regarded as one of the first new-wave groups to achieve mainstream success, playing a style of rock influenced by punk, reggae, and jazz. They are also considered one of the leaders of the Second British Invasion of the U.S.[1][2] They disbanded in 1986, but reunited in early 2007 for a one-off world tour that ended in August 2008.

Their 1978 debut album, Outlandos d'Amour, reached No. 6 in the UK. Their second album Reggatta de Blanc became the first of five consecutive UK No. 1 albums with its lead single, "Message in a Bottle", their first UK number one.[3] Their next two albums, Zenyatta Mondatta (1980) and Ghost in the Machine (1981), saw further critical and commercial success. Their final studio album, Synchronicity (1983), was No. 1 in both the UK and U.S., selling over 8 million copies in the U.S. alone. "Every Breath You Take" became their fifth UK number one single, and first in the U.S.[3] The Police have sold over 75 million records, making them one of the world's best-selling artists of all time.[4][5] They were the world's highest-earning musicians in 2008, thanks to their reunion tour.[6]

The band has won a number of music awards, including six Grammy Awards, two Brit Awards—winning Best British Group once, an MTV Video Music Award, and in 2003 were inducted into the Rock and Roll Hall of Fame.[7] Four of their five studio albums appeared on Rolling Stone's list of the 500 Greatest Albums of All Time. The Police were included among both Rolling Stone's and VH1's lists of the 100 Greatest Artists of All Time.[8][9]

Career

Formation (1977)

In late November 1976, while on tour in Newcastle upon Tyne in north east England with the British progressive rock band Curved Air, the band's American drummer Stewart Copeland met and exchanged phone numbers with an ambitious singer-bassist (and former schoolteacher) called Sting (so nicknamed due to his habit of wearing a black and yellow striped jersey mirroring a bee),[10] who at the time was playing in a jazz-rock fusion band called Last Exit.[11] On 12 January 1977,[nb 1] Sting relocated to London and the very same day of his arrival, he sought out Copeland for a jam session.[nb 2][11]

"I was inspired by the amazing energy of the whole thing, and I thought, 'Well, I'm new to London and I'm totally unknown, so I'll give it a go.' We did a 15-minute lightning set and I squealed and screamed."

—Sting on his first jam session since arriving in London.[11]

Curved Air had recently split up and Copeland, inspired by the then-current punk rock movement, was eager to form a new band and join the burgeoning London punk scene. While less keen, Sting acknowledged the commercial opportunities, so the duo formed the Police as a punk power trio with Corsican guitarist Henry Padovani recruited as the third member.[13] After their debut concert on 1 March 1977 at Alexander's in Newport, Wales (which lasted only ten minutes), the group played London pubs and toured as a support act for Cherry Vanilla and for Wayne County & the Electric Chairs.[14][15] Their first single "Fall Out," recorded at Pathway Studios in Islington, North London on 12 February 1977 with a budget of £150, was released in May 1977 by Illegal Records.[16]

Also in May 1977, former Gong musician Mike Howlett invited Sting to join him in the band project Strontium 90. The drummer Howlett had in mind, Chris Cutler, was unavailable to play, so Sting brought along Stewart Copeland. The fourth member of the band was guitarist Andy Summers from Lancashire, north west England. A decade older than Sting and Copeland, Summers was a music industry veteran, having played with Eric Burdon and the Animals and Kevin Ayers among others. Strontium 90 performed at a Gong reunion concert in Paris on 28 May 1977, and played at a London club (under the name of "The Elevators") in July.[17] The band also recorded several demo tracks: these were released (along with live recordings and an early version of "Every Little Thing She Does Is Magic") 20 years later in 1997 on the archive album Strontium 90: Police Academy.

"I thought there was fantastic potential in Sting and Stewart. I'd always wanted to play in a three-piece band. I felt that the three of us together would be very strong. They just needed another guitarist and I thought I was the one."

—Summers on Sting and Copeland after first hearing them at the Marquee Club in Oxford Street, London.[11]

Summers' musicality impressed Sting, who was becoming frustrated with Padovani's relatively rudimentary abilities and the limitations they imposed on the Police's potential career. Shortly after the Strontium 90 gig, Sting approached Summers to join the band. He agreed, on the initial condition the band remain a trio, with him replacing Padovani. Restrained by loyalty, Copeland and Sting initially resisted the idea, and the Police carried on as a four-piece version but they only performed live twice: on 25 July 1977 at the Music Machine in London and on 5 August at the Mont de Marsan Punk Festival. Shortly after these two gigs (and an aborted recording session with producer John Cale on 10 August), Summers delivered an ultimatum and Padovani was dismissed from the band. The effect of Summers' arrival was instant with Copeland stating: "One by one, Sting's songs had started coming in, and when Andy joined, it opened up new numbers of Sting's we could do, so the material started to get a lot more interesting and Sting started to take a lot more interest in the group."[11]

The Police's power trio line-up of Copeland, Sting, and Summers performed for the first time on 18 August 1977 at Rebecca's club in the English city of Birmingham in the West Midlands.[18] A trio was unusual for the time, and this line-up endured for the rest of the band's history. Few punk bands were three-pieces, while contemporary bands pursuing progressive rock, symphonic rock and other sound trends usually expanded their line-ups with support players.[19] The developing Police sound, however, made explicit use of the trio dynamics by forcing the band to concentrate on space and texture. The musical background of all three players may have made them suspect to punk purists, with music critic Christopher Gable stating, "The truth is that the band merely utilized the trappings of 1970s British punk: the bleached blond short hair, Sting in his jumpsuits or army jackets, Copeland and his near maniacal drumming style. In fact, they were criticized by other punk bands for not being authentic and lacking "street cred." What the Police did perhaps take from punk was a brand of nervous, energetic disillusion with 1970s Britain."[20] The band were also able to draw on influences from reggae to jazz to progressive and pub rock.[20]

While still maintaining the main band and attempting to win over punk audiences, Police members continued to moonlight within art-rock. In late 1977 and early 1978, Sting and Summers recorded and performed as part of an ensemble led by German experimental composer Eberhard Schoener; Copeland also joined for a time. These performances resulted in three albums, each of them an eclectic mix of rock, electronica and jazz.[21] Various appearances by the Schoener outfit on German television made the German public aware of Sting's unusual high-pitched voice, and helped pave the way for the Police's later popularity.

The bleached-blond hair that became a band trademark was a lucky accident. In February 1978, the band, desperate for money, was asked to do a commercial for Wrigley's Spearmint chewing gum (directed by Tony Scott) on the condition that they dye their hair blond.[22] The commercial was shot with the band, but was shelved and never aired.[23]

Recording contract and Outlandos d'Amour (1977–1978)

Stewart Copeland's older brother Miles Copeland III was initially sceptical of the inclusion of Summers in the band, fearing it would undermine their punk credibility, and reluctantly agreed to come through with £1,500 to finance the Police's first album. Recording Outlandos d'Amour was difficult, as the band was working on a small budget, with no manager or record deal. It was recorded during off-peak hours at the Surrey Sound Studios in Leatherhead, Surrey, a basic recording facility run by brothers Chris and Nigel Gray.[24]

During one of his periodic studio visits, Miles Copeland heard "Roxanne" for the first time at the end of a session. Where he had been less enthusiastic about the band's other songs, the elder Copeland was immediately struck by "Roxanne", and quickly got the Police a record deal with A&M Records on the strength of the track.[25] "Roxanne" was issued as a single in the spring of 1978, while other album tracks were still in the midst of being recorded, but it failed to chart. It also failed to make the BBC's playlist, which the band attributed to the song's depiction of prostitution. A&M consequently promoted the single with posters claiming "Banned by the BBC," though it was never really banned—just not play-listed. "We got a lot of mileage out of it being supposedly banned by the BBC," Stewart Copeland admitted 23 years after the fact. "In fact, all that really happened was that we didn't make their playlist, so we turned that into 'Banned by the BBC.'"[26]

Shortly after "Roxanne" was released, and while Outlandos d'Amour was still being recorded, Stewart Copeland (using the alias 'Klark Kent') released a solo single called "Don't Care". It peaked at No. 48 UK in August 1978, and led to a TV appearance on BBC1's Top of the Pops. 'Kent' sang and played all instruments on the single, but for his Top of the Pops appearance he was backed by various friends wearing masks (including Sting and Summers) who mimed the instrumental accompaniment.

The Police made their first proper television appearance a few months later, in October 1978, on BBC2's The Old Grey Whistle Test to promote the release of Outlandos d'Amour.[27] Though "Roxanne" was never banned (despite A&M's claims to the contrary) the BBC did ban the second single from Outlandos d'Amour, "Can't Stand Losing You". This was due to the single's cover, which featured Copeland hanging himself over an ice block being melted by a portable radiator.[28] The single became a minor chart hit, the Police's first, peaking at No. 42 UK.[3] The follow-up single "So Lonely", issued in November 1978, failed to chart.

In February 1979 "Roxanne" was issued as a single in North America, where it was warmly received on radio despite the subject matter. The song peaked at No. 31 Canada and No. 32 U.S., spurring a UK re-release of it in April. The re-issue of "Roxanne" finally gained the band widespread recognition in the UK when it peaked at No. 12 on the UK Singles Chart.[29]

The group's U.S. success led to a gig at the famous New York club CBGB and a gruelling 1979 North American tour in which the band drove themselves and their equipment around the country in a Ford Econoline van. That summer, "Can't Stand Losing You" was also re-released in the UK, becoming a substantial hit, peaking at No. 2.[3] The group's first single, "Fall Out", was re-issued in late 1979, and became a minor chart hit, peaking at No. 47 UK.[3]

Reggatta de Blanc (1979)

In October 1979, the group released their second album, Reggatta de Blanc, which topped the UK Albums Chart, and became the first of five consecutive UK No. 1 albums.[3] The album spawned the hit singles "Message in a Bottle" (No. 1 UK, No. 2 Canada, No. 5 Australia) and "Walking on the Moon" (No. 1 UK).[30] Elsewhere, the album's singles failed to dent the U.S. top 40, but Reggatta de Blanc still hit No. 25 on the U.S. album charts.[31]

The band's first live performance of "Message in a Bottle" was on the BBC's television show Rock Goes to College filmed at Hatfield Polytechnic College in Hertfordshire.[32] The instrumental title track Reggatta de Blanc won the Grammy Award for Best Rock Instrumental Performance.[33] In February 1980, the single "So Lonely" was re-issued in the UK. Originally a non-charting flop when first issued in late 1978, upon re-release the track became a UK top 10 hit, peaking at No. 6.[3]

In March 1980, the Police began their first world tour, which included places that had seldom hosted foreign performers—including Mexico, India, Taiwan, Hong Kong, Greece, and Egypt.[30] The tour was subsequently documented in the film The Police Around the World (1982), directed by Kate and Derek Burbidge, which encompasses footage shot by Anne Nightingale originally intended for a BBC production The Police in the East.[34]

In May 1980, A&M in the UK released Six Pack, an expensive package containing the five previous A&M singles (not including "Fall Out") in their original sleeves plus a mono alternate take of the album track "The Bed's Too Big Without You" backed with a live version of "Truth Hits Everybody". It reached No. 17 in the UK Singles Chart (although chart regulations introduced later in the decade would have classed it as an album).[3]

Zenyatta Mondatta (1980–1981)

Pressured by their record company for a new record and a prompt return to touring, the Police released their third album, Zenyatta Mondatta, in October 1980. The album was recorded in a three-week period in the Netherlands for tax reasons.[35] The album gave the group their third UK No. 1 hit, "Don't Stand So Close to Me" (the UK's best selling single of 1980) and another hit single, "De Do Do Do, De Da Da Da", both of which reached No. 10 in the U.S.[31] While the three band members and co-producer Nigel Gray all expressed immediate regret over the rushed recording for the album, which was finished at 4 AM on the day the band began their world tour,[36] the album received high praise from critics.[37][38] The instrumental "Behind My Camel", written by Andy Summers, won the band a Grammy for Best Rock Instrumental Performance, while "Don't Stand So Close to Me" won the Grammy for Best Rock Vocal Performance for Duo or Group.[33]

Ghost in the Machine and Brimstone and Treacle (1981–1982)

The Police's fourth album, Ghost in the Machine, co-produced by Hugh Padgham, was recorded at Air Studios on the Caribbean island of Montserrat, and released in 1981. It featured thicker sounds, layered saxophones, and vocal textures. It spawned the hit singles "Every Little Thing She Does Is Magic" (featuring pianist Jean Roussel), their fourth UK No. 1 (No. 3 in the U.S.), "Invisible Sun", and "Spirits in the Material World".[3][31] As the band was unable to agree on a cover picture, the album cover had three red pictographs, digital likenesses of the three band members in the style of segmented LED displays, set against a black background. In the 1980s, Sting and Summers became tax exiles and moved to Ireland (Sting to Roundstone in Galway, and Summers to Kinsale in County Cork) while Copeland, an American, remained in England.

The group opened and closed the 1981 concert film, Urgh! A Music War. The film, which captured the music scene in the wake of punk, was masterminded by Stewart Copeland's brothers Ian and Miles Copeland. The film had a limited release but developed a mythic reputation over the years.[39]

At the 1982 Brit Awards in London, the Police received the award for Best British Group.[40] After the Ghost in the Machine Tour concluded in 1982, the group took a sabbatical and each member pursued outside projects. By this time, Sting was becoming a major star, and he established a career beyond the Police by branching out into acting. Back in 1979, he had made a well-received debut as the "Ace Face" in Quadrophenia, the film version of The Who's rock opera, followed by a role as a mechanic in love with Eddie Cochran's music in Chris Petit's Radio On. In 1982, Sting furthered his acting career by co-starring in the Richard Loncraine film Brimstone and Treacle. He also had a minor solo hit in the United Kingdom with the movie's theme song, a cover of the 1929 hit "Spread a Little Happiness" (which appeared on the Brimstone & Treacle soundtrack, along with three new Police tracks, "How Stupid Mister Bates", "A Kind of Loving", and "I Burn for You"). Over 1981 and 1982, Summers recorded his first album with Robert Fripp, I Advance Masked.

In 1983, Stewart Copeland composed the musical score for Francis Ford Coppola's film Rumble Fish. The single "Don't Box Me In (theme From Rumble Fish)", a collaboration between Copeland and singer/songwriter Stan Ridgway (of the band Wall of Voodoo) received significant airplay upon release of the film that year. Also in 1983, Sting filmed his first big-budget movie role playing Feyd-Rautha in David Lynch's Dune. As Sting's fame rose, his relationship with band founder Stewart Copeland deteriorated. Their increasingly strained partnership was further stretched by the pressures of worldwide publicity and fame, conflicting egos, and their financial success. Meanwhile, both Sting's and Summers' marriages failed.

Synchronicity and "The Biggest Band in the World" (1983)

In 1983, the Police released their last studio album, Synchronicity, which spawned the hit singles "Every Breath You Take", "Wrapped Around Your Finger", "King of Pain", and "Synchronicity II". By that time, several critics deemed them "the biggest rock band in the world."[11][41] Recording the album, however, was a tense affair with increasing disputes among the band. The three members recorded their contributions individually in separate rooms and over-dubbed at different times.[42]

The Synchronicity Tour began in Chicago, Illinois in July 1983 at the original Comiskey Park, and on 18 August the band played in front of 70,000 in Shea Stadium, New York, with Sting announcing near the end of the concert: "We'd like to thank the Beatles for lending us their stadium."[41] They played throughout the UK in December 1983, including four sold out nights at London's Wembley Arena, and the tour ended in Melbourne, Australia in March 1984 at the Melbourne Showgrounds (the final concert featured Simple Minds, Flock of Seagulls, The Fixx, Joan Jett and the Blackhearts, with the Police topping the bill). Sting's look, dominated by his orange-coloured hair (a result from his role in Dune) and tattered clothing, both of which were emphasised in the music videos from the album, carried over into the set for the concert. Except for "King of Pain", the singles were accompanied by music videos directed by Godley & Creme.

According to Billboard and Guinness' British Hit Singles & Albums this album became a No. 1 album in both the UK (where it debuted at No. 1) and the U.S. It stayed at No. 1 in the UK for two weeks and in the U.S. for seventeen weeks.[43][44] It was nominated for Grammy Awards for Album of the Year, but lost to Michael Jackson's Thriller. "Every Breath You Take" won the Grammy for Song of the Year,[33] beating Jackson's "Billie Jean". "Every Breath You Take" also won the Grammy for Best Pop Performance by a Duo or Group with Vocal, while "Synchronicity II" won the Grammy for Best Rock Performance by a Duo or Group with Vocal. "Every Breath You Take" also won the American Video Award for Best Group video, and the song won two Ivor Novello Awards in the categories Best Song Musically and Lyrically and Most Performed Work from the British Academy of Songwriters, Composers and Authors.[45]

Hiatus, aborted sixth studio album (1984–1986)

During the group's 1983 Shea Stadium concert, Sting felt performing at the venue was "Everest" and decided to pursue a solo career, according to the documentary The Last Play at Shea.[46] After the Synchronicity tour ended in March 1984, the band went on hiatus while Sting recorded and toured in support of his successful solo debut LP, the jazz-influenced The Dream of the Blue Turtles, released in June 1985; Copeland recorded and filmed The Rhythmatist (1985); and Summers recorded another album with Robert Fripp (Bewitched, 1984) and the theme song for the film 2010—which was not used in the film, but included on the soundtrack album. At the 1985 Brit Awards held at London's Grosvenor Hotel on 11 February, the band received the award for Outstanding Contribution to Music.[47] In July the same year, Sting and Copeland participated in Live Aid at Wembley Stadium.

"Even though logic would say, 'Are you out of your mind? You're in the biggest band in the world—just bite the bullet and make some money.' But there continued to be some instinct, against logic, against good advice, [that] told me I should quit."

—Sting on quitting the band in 1986.[48]

In June 1986, the trio reconvened to play three concerts for the Amnesty International A Conspiracy of Hope Tour. In July of that year, they reunited in the studio to record a new album. However, Copeland broke his collarbone in a fall from a horse and was unable to play the drums.[49] As a result of the tense and short-lived reunion in the studio, "Don't Stand So Close to Me '86" was released in October 1986 as their final single and made it into the UK Top 25; it also appeared on the 1986 compilation Every Breath You Take: The Singles, which reached No. 1 in the UK album charts.[3] "De Do Do Do De Da Da Da" was subsequently included on the DTS-CD release of the Every Breath You Take: The Classics album in 1995.

Following the failed effort to record a new studio album, the Police effectively disbanded. In the liner notes to the Police's box set Message in a Box, Summers explains: "The attempt to record a new album was doomed from the outset. The night before we went into the studio Stewart broke his collarbone falling off a horse and that meant we lost our last chance of recovering some rapport just by jamming together. Anyway, it was clear Sting had no real intention of writing any new songs for the Police. It was an empty exercise."[50]

Disbandment (1986–2006)

Each band member continued with their solo careers over the next 20 years. Sting continued recording and touring as a solo performer to great success. Summers recorded a number of albums, both as a solo artist and in collaboration with other musicians. Copeland became a prolific producer of movie and television soundtracks, and he recorded and toured with two new bands, Animal Logic and Oysterhead. However, a few events did bring the Police back together, albeit briefly.

Summers played guitar on Sting's album ...Nothing Like the Sun (1987), a favour the singer returned by playing bass on Summers' album Charming Snakes (1989) and later singing lead vocals on "'Round Midnight" for Summers' tribute to Thelonious Monk Green Chimneys (1999).

On 2 October 1991 (Sting's 40th birthday), Summers joined Sting on stage at the Hollywood Bowl during The Soul Cages Tour to perform "Walking on the Moon", "Every Breath You Take", and "Message in a Bottle". The performance was broadcast as a pay-per-view event.

On 22 August 1992, Sting married Trudie Styler in an 11th-century chapel in Wiltshire, south-west England.[51] Summers and Copeland were invited to the ceremony and reception. Aware that all band members were present, the wedding guests pressured the trio into playing, and they performed "Roxanne" and "Message in a Bottle". Copeland said later that "after about three minutes, it became 'the thing' again".

In 1995 A&M released Live!, a double live album produced by Andy Summers featuring two complete concerts—one recorded on 27 November 1979 at the Orpheum Theatre in Boston during the Reggatta de Blanc tour, and one recorded on 2 November 1983 at the Omni in Atlanta, Georgia during the Synchronicity Tour (the latter one was also documented in the VHS tape Synchronicity Concert in 1984).

On 10 March 2003, the Police were inducted into the Rock and Roll Hall of Fame and performed "Roxanne", "Message in a Bottle", and "Every Breath You Take" live, as a group (the last song was performed alongside Steven Tyler, Gwen Stefani, and John Mayer).[52] In the autumn of 2003, Sting released his autobiography, Broken Music.[53]

In 2004, Copeland and Summers joined Incubus onstage at KROQ's Almost Acoustic Christmas concert in Los Angeles performing "Roxanne" and "Message in a Bottle". In 2004, Henry Padovani released an album with the participation of Stewart Copeland and Sting on one track, reuniting the original Police line-up for the first time since 1977. Also in 2004, Rolling Stone ranked The Police No. 70 on their list of the 100 Greatest Artists of All Time.[54]

In 2006, Stewart Copeland made a rockumentary about the band called Everyone Stares: The Police Inside Out, based on Super-8 filming he did when the band was touring and recording in the late 1970s and early 1980s. In October 2006, Andy Summers released One Train Later, an autobiographical memoir detailing his early career and time with the band.

Reunion tour (2007–2008)

Sting with the group at Madison Square Garden, August 2007

In early 2007, reports surfaced that the trio would reunite for a tour to mark the Police's 30th anniversary, more than 20 years since their split in 1986.[55] The tour coincided with Universal Music (current owners of the A&M label) re-releasing some material from the band's back catalogue.[56] The following statement was released on behalf of the band by a spokesman at Interscope-Geffen-A&M and posted on Sting's official website: "As the 30th anniversary of the first Police single approaches, discussions have been underway as to how this will be commemorated. While we can confirm that there will indeed be something special done to mark the occasion, the depth of the band's involvement still remains undetermined."[57]

On 22 January 2007, the punk wave magazine Side-Line broke the story that the Police would reunite for the Grammys, and would perform Roxanne.[58][59] Side-Line also stated that the Police were to embark on a massive world tour. Billboard magazine later confirmed the news, quoting Andy Summers' 2006 statement as to how the band could have continued post-Synchronicity: "The more rational approach would have been, 'OK, Sting, go make a solo record, and let's get back together in two or three years.' I'm certain we could have done that. Of course we could have. We were definitely not in a creative dry space. We could have easily carried on, and we could probably still be there. That wasn't to be our fate. It went in another way. I regret we never paid it off with a last tour."[60] The band opened the 49th Annual Grammy Awards on 11 February 2007 in Los Angeles,[61] announcing, "Ladies and gentlemen, we are the Police, and we're back!" before launching into "Roxanne".[62] After the dissolution of the Police, Sting adamantly refused to reunite with Copeland or Summers for any prolonged period, often commenting "If I ever reform the Police I should be certified insane." However, by 2007, he had a change of heart. When asked what prompted the reunion, Sting said "I'd just done the lute album — Songs from the Labyrinth. I was thinking: 'Well what do I do? What's going to surprise people?' I just had this instinct, this desire to call the guys up and say: 'Let's give this a go.'" Sting added that he saw the reunion as "a kind of healing. I think solving problems is an exercise worth doing".[63]

Guitarist Andy Summers performing in Marseille with the group.

A&M Records, the band's record company, promoted the 2007–08 reunion tour as the 30th anniversary of the band's formation, and of the release of their first single for A&M, "Roxanne".[64] The Police Reunion Tour began in late May 2007 with two shows in Vancouver. Stewart Copeland gave a scathing review of the show on his own website,[65] which the press interpreted as a feud occurring two gigs into the tour. Copeland later apologised for besmirching "my buddy Sting," and chalked up the comments to 'hyper self-criticism'.[66] Tickets for the British leg of the tour sold out within 30 minutes, and the band played two nights at Twickenham Stadium, southwest London on 8 and 9 September.[67] On 29 and 30 September 2007, Henry Padovani joined the group on stage for the final encore of their two shows in Paris, The Police playing the song "Next to You" as a four-piece band. In October 2007, the group played the largest gig of the reunion tour in Dublin, Ireland, in front of 82,000 fans. They continued their reunion tour in 2008, and locations included New Zealand, Australia, Singapore, Macau, Japan, Canada, U.S., France, Germany, Norway, Denmark, UK, Serbia, Poland, Puerto Rico, and South America including Chile, Argentina and Brazil.

The group were headliners at the TW Classic festival in Werchter, Belgium on 7 June 2008. The Police also headlined the last night of the 2008 Isle of Wight Festival on 15 June 2008,[68] in addition to headlining the Heineken Jammin' Festival in Venice on 23 June and the Sunday night at Hard Rock Calling (previously called Hyde Park Calling) in London on 29 June.[69] In February 2008, the band announced that once they were finished touring, they would break up again. According to Sting, "There will be no new album, no big new tour, once we're done with our reunion tour, that's it for the Police."[70]

Drummer Stewart Copeland performing in Marseille with the group

The final show of the tour was held on 7 August 2008 at Madison Square Garden in New York City. The band performed the opening song of the night, "Message in a Bottle", supported by the brass band of the New York Metropolitan Police Corp. Later, they performed "Sunshine of Your Love" and "Purple Haze" as a tribute to the rock trios that preceded them (Cream and The Jimi Hendrix Experience). While announcing the show, the group also announced their donation of $1 million to New York Mayor Michael Bloomberg's initiative to plant one million trees in the city by 2017.[71] Proceeds of the concert went towards arts programming for the city's two public television stations, WNET and WLIW.

During the entire tour, the Police sold 3.7 million tickets and grossed $358 million, making it the third-highest-grossing tour of all-time at its conclusion.[72] On 11 November 2008, the Police released Certifiable: Live in Buenos Aires, a Blu-ray, DVD and CD set of the band's two performances in Buenos Aires, Argentina on the tour (December 1 and 2, 2007). Those sets with two DVDs also included a documentary shot by Copeland's son Jordan entitled Better Than Therapy as well as some photographs of Buenos Aires taken by Andy Summers.[73][74]

Legacy and influence

In 2004, Rolling Stone ranked the Police number 70 on their list of the 100 Greatest Artists of All Time,[75] and in 2010, the band was ranked 40th on VH1's 100 Greatest Artists of All Time.[76] Four of the band's five studio albums appeared on Rolling Stone's 2003 list of the 500 greatest albums of all time: Ghost in the Machine (number 322), Reggatta de Blanc (number 369), Outlandos d'Amour (number 434), and Synchronicity (number 455).[77] In the magazine's 2004 list of the 500 greatest songs of all time, "Every Breath You Take" ranked number 84 (the highest for any song by a new wave band), and "Roxanne" ranked number 388. "Message in a Bottle" ranked number 65 in the magazine's 2008 list of the 100 greatest guitar songs of all time.[78] The Police are typically regarded as in both the vanguard of the Second British Invasion, and the new wave movement.[1][79]

Despite the band's well-documented disagreements with one another, Summers confirmed in 2015 that Sting, Copeland and he are good friends. "Despite the general press thing about 'God, they hate each other,' it's actually not true, we're very supportive of one another." says Summers. "We had something together that we'll never have with anyone else. And you have to cherish that."[80]

Musical style

The group's early style has been called punk rock, but Stephen Thomas Erlewine of AllMusic argues that this was true only "in the loosest sense of the term.". He states that the band's "nervous, reggae-injected pop/rock was punky" and had a "punk spirit" but it "wasn't necessarily punk".[81]

Prior to his days in the Police, Sting had spent time as a secondary school teacher for English and Mathematics, and his work with the band reflects a literary awareness. For example, material on the album Ghost in the Machine was inspired by the writings of Arthur Koestler, and the Police's final studio album Synchronicity was influenced by the writings of Carl Jung. Sting also peppers his songs with literary allusions: the song "Don't Stand So Close to Me" mentions Vladimir Nabokov's novel Lolita; "Tea in the Sahara" alludes to the novel The Sheltering Sky by Paul Bowles; and "Wrapped Around Your Finger" refers both to the sea monsters Scylla and Charybdis, from Greek mythology, and to Mephistopheles, from the German legend of Faust.

Discography

Tours

Members

Former members

Timeline

Awards

BRIT Awards

Grammy Awards

Rock and Roll Hall of Fame

Other lists

See also

Notes

  1. ↑ As Henry Padovani recalled in an interview for the (French) France 2 Saturday morning TV show Thé ou Café (hosting Sting) which premiered on 19 November 2016.[12]
  2. ↑ According to Sting himself on his own autobiography, Broken Music (2005).

Sources

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References

External links

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