Three Women (Boccioni)

Three Women
Artist Umberto Boccioni
Year 1909–1910
Medium Oil on canvas
Dimensions 180 cm × 132 cm (71 in × 52 in)
Location Banca Commerciale Italiana, Milan

Three Women (Italian: Tre donne), was painted by Umberto Boccioni between the years of 1909 and 1910.[1] This painting is oil on canvas painted in the style of divisionism.[2] Divisionism refers to the actual division of colors by creating separated brush strokes as opposed to smooth, solid lines.[3] The painting contains three figures, one being Boccioni’s mother Cecilia on the left, another being his sister, Amelia on the right, and the third being Ines, his lover, in the center.[4][5]

Background

Umberto Boccioni was born on October 19, 1882 in Reggio Calabria.[6] Because Boccioni’s father worked as a minor government employee, the Boccioni family moved many times; they moved to Forli in the Romagna shortly after his birth, then to Genoa, later to Padua, and then to Catania in Sicily.[7] Boccioni attended the Accademia di Belle Arti di Roma, the Academy of Fine Arts, Rome and drew at the Scuola Libera del Nudo.[8][9] In his early life, Boccioni was known for his radical transition from divisionism to futurism.

The Transition

Art teacher and portraitist Giacomo Balla introduced Boccioni to the painting styles of divisionism.[10] According to the Deutsche Bank and the Solomon R. Guggenheim Foundation, divisionism, which emerged in Northern Italy in the late 1880s, was the “painting method [that] was characterized by the juxtaposition of strokes of pigment to create the visual effect of intense single colors”.[11] These individual strokes vary over the surface of the canvas, resembling “filament-like” threads.[12] Divisionists also believed in increased luminosity in their paintings.[13] As Boccioni was making the transition from divisionism to futurism, he struggled with changing his pre-futuristic subjects of art. This is because typical divisionism depicts rural labor, tranquility, beauty, and landscape. When Boccioni started to draw futuristic paintings, including industrialized scenes and urban modernity, he didn’t make the smoothest of transitions.[14] Italian divisionism uses a variety of spectral colors to apply the paint in varied dots and strokes.[15] However, divisionism varies from artist to artist; there are no guidelines. Sometime in the years between 1909 and 1910, Boccioni met Fillipo Tommaso Marinetti, the first futurist formulator.[16] These two men, along with Carlo Carra, Luigi Russolo, Giacomo Balla, and Gino Severini decided to create The Technical Manifesto of Futurist Painters.[17] This manifesto describes the theories that make up futurism as well as the guidelines that make a futuristic painting just that.[18]

Application

Three Women is one of Umberto Boccioni’s paintings that portrayed evidence of his transformation from the divisionism style to the futurism style. Three Women is a painting that portrays raw emotion, with calmness and intimacy.[19] The faces of the figures in the painting are dressed with melancholy tones. This painting is categorized as a divisionism painting, however there exists a futuristic style within it. The way that the light enters the room and affects the figures is an example of how this painting contains both divisionism and futurism.[20] A characteristic of futurism lies in the varying and visible strokes as well. This aspect of futurism is extremely evident in this painting; it is seen in the women’s dresses, the women’s hair, the luminescence, the walls in the background, the bed, and the women’s faces and skin.[21] Also, the luminescence mentioned above, according to Maurizio Calvesi, may be in relation to Einstein’s concepts of the physical properties of light, adding yet another futuristic aspect to Three Women, he says in 1967.[22] The significance of Boccioni’s Three Women isn’t necessarily the painting itself, but lies in what the painting represents. According to Coen, it “marks a moment of transition in the artist’s work, the bridge from the suburbs of Milan to the idealistic vision of The City Rises”.[23]

Footnotes

  1. ↑ Ester Coen, Boccioni (Milano: Electa), xxiii.
  2. ↑ Christine Poggi, ‘’Inventing Futurism: The Art and Politics of Artificial Optimism’’ (Princeton: Princeton UP, 2009), 66.
  3. ↑ "Deutsche Guggenheim." ‘’Deutsche Guggenheim’’. N.p., n.d. Web. 22 Apr. 2015, http://pastexhibitions.guggenheim.org/boccioni/overview.html.
  4. ↑ Emily Braun, ‘’Boccioni’s Materia: A Futurist Masterpiece and the Avant-garde in Milan and Paris’’ (New York: Guggenheim Museum Publications, 2004), 24.
  5. ↑ Ester Coen, ‘’Boccioni’’, 41.
  6. ↑ Ester Coen, ‘’Boccioni’’, xiii
  7. ↑ Ester Coen, ‘’Boccioni’’, xiii.
  8. ↑ ‘’Umberto Boccioni Biography, Art, and Analysis of Works’’, The Art Story, Accessed April 19, 2015, http://www.theartstory.org/artist-boccioni-umberto.htm.
  9. ↑ Ester Coen, ‘’Boccioni’’, xiii.
  10. ↑ Ester Coen, ‘’Boccioni’’, xiv.
  11. ↑ "Deutsche Guggenheim." ‘’Deutsche Guggenheim’’, http://pastexhibitions.guggenheim.org/boccioni/overview.html.
  12. ↑ Simonetta Fraquelli, ‘’Italian Divisionism 1890–1910’’ (The Burlington Magazine [London], 2009).
  13. ↑ Simonetta Fraquelli, ‘’Italian Divisionism 1890–1910’’ (The Burlington Magazine [London], 2009).
  14. ↑ Christine Poggi, ‘’Inventing Futurism: The Art and Politics of Artificial Optimism’’, 66.
  15. ↑ Simonetta Fraquelli, ‘’Italian Divisionism 1890–1910’’ (The Burlington Magazine [London], 2009).
  16. ↑ Ester Coen, ‘’Boccioni’’, xx.
  17. ↑ Lawrence S. Rainey, Christine Poggi, and Laura Wittman, ‘’Futurism: An Anthology’’, (New Haven: Yale Press, 2009).
  18. ↑ Lawrence S. Rainey, Christine Poggi, and Laura Wittman, ‘’Futurism: An Anthology’’, (New Haven: Yale Press, 2009).
  19. ↑ Emily Braun, ‘’Boccioni’s Materia: A Futurist Masterpiece and the Avant-garde in Milan and Paris’’, 24.
  20. ↑ Emily Braun, ‘’Boccioni’s Materia: A Futurist Masterpiece and the Avant-garde in Milan and Paris’’, 24.
  21. ↑ Christine Poggi, ‘’Inventing Futurism: The Art and Politics of Artificial Optimism’’, 75.
  22. ↑ ‘’The International Balzan Foundation’’, (April 19, 2015), http://www.balzan.org/en/prizewinners/maurizio-calvesi/research-project-calvesi.
  23. ↑ Ester Coen, ‘’Boccioni’’, 41.

References

Website discussing futurism in this specific painting

Gives specific information about Umberto Boccioni’s early and personal life

Specific information about futuristic and divisionistic styles of artwork

This article is issued from Wikipedia - version of the 10/20/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.