Zigeunerlieder (Brahms)

Johannes Brahms (1887)

The Zigeunerlieder ("Gypsy songs") op. 103 and op. 112, nr. 3–6, are a song cycle for 4 singers (or choir) and piano by Johannes Brahms (op. 103, nr. 1-7 and 11 exist also in an arrangement for solo voice and piano made by Brahms himself). The texts^[1] are Hungarian folk songs in German adaptation by Hugo Conrat (originally: Hugo Cohn (1845–1906)), belonging to the Brahms circle in Vienna. The first translation of the texts was in fact from the Hungarian nurse of the Conrat family.

History

The first eleven pieces of the cycle, which formed some well-connected story, were put to music by Brahms either in his Thun summer of 1887 or in winter 1887/88 straight-away during a stay in Budapest. Further four songs followed in 1891 and were published together with the song quartets Sehnsucht and Nächtens (text by Franz Theodor Kugler), which had no connection with the Zigeunerlieder, but nonetheless were put together to form Brahms's op. 112.

In Brahms’s total work the Zigeunerlieder can be seen – on the one hand – as als vocal counterpart of the Hungarian Dances and – on the other hand – as exotic counterpart to the more-referenced Liebesliederwalzer op. 52 und 65.

The first public performance of the songs op. 103 was on 31 October 1888 in Berlin, with great success, although the presentation of the opus in a concert hall presented some bad feelings to the composer, since Brahms had conceived his opus genuinely for soloist quartets, and had thought of performances at home. Nonetheless the songs are also suited for (small) choirs, particularly in connection with the voluminous sound of modern pianos. As a consequence, performances by choirs in concert are now the rule. CD-representations are, instead, frequently performed by soloists.

The titles

Zigeunerlieder, op. 103

1. He, Zigeuner, greife in die Saiten
2. Hochgetürmte Rimaflut
3. Wißt ihr, wann mein Kindchen
4. Lieber Gott, du weißt
5. Brauner Bursche führt zum Tanze
6. Röslein dreie in der Reihe
7. Kommt dir manchmal in den Sinn
8. Horch, der Wind klagt in den Zweigen
9. Weit und breit schaut niemand mich an
10. Mond verhüllt sein Angesicht
11. Rote Abendwolken ziehn

Vier Zigeunerlieder, op. 112

Himmel strahlt so helle
1. Rote Rosenknospen künden
2. Brennessel steht an Weges Rand
3. Liebe Schwalbe, kleine Schwalbe

References

1. See weblinks Nos. 4 and 5

Literature

• Hans Gebhard (Ed.): Harenberg Chormusikführer. Harenberg, Dortmund 1999, ISBN 3-611-00817-6.

External links

• Zigeunerlieder op. 103: Scores at the International Music Score Library Project
• 6 Quartette op. 112: Scores at the International Music Score Library Project
• Zigeunerlieder: MIDI/MP3-Format, with exercises for members of a choir
• Zigeunerlieder op. 103: Texts recmusic.org
• Vier Zigeunerlieder op. 112: Texts recmusic.org