Jadumani Mahapatra
| Jadumani Mahapatra | |
|---|---|
| Born |
1783 Itamati, Nayagarh district |
| Died | 1868 |
| Occupation | poet, humourist |
Jadumani Mahapatra (Jadumani Mohapatra) (1783–1868) also known as Utkal Ghanta was an Odia language poet, humorist and satirist, who was principal poet during the rule of king Binayak Singh Mandhata of Nayagarh princely state in present day Odisha. He was known for his devotional songs and poems, and also his wit and satire.[1][2]
Biography
Born at Itamati in present Nayagarh district of Odisha, he studied Sanskrit grammar from Bidyadhar Mohapatra of Mandhatapur. There is a story about his being the humorist poet in Odiya language. It is said that once given a mantra by a yogi (saint)he meditated upon Lord Hayagriba (one of the incarnations of lord Vishnu according to Hindu mythology)for His blessing. When the Lord appeared before him and asked him to express his wish, he to the God's utmost pleasure told how He cleans His nose as He is occupied with different aayudhas (weapons and other armaments) in all his hands, to which the God could not prevent Himself laughing, and blessed him to be a humorist poet from that day and he can write poems instantly without any imagination and thinking at any place, not only restricted to study rooms as poets usually do to write poems. It is also said that as he used the bamboo mat usually left by a dead person's family members at samshan (creamation ground) while chanting the Hayagriba mantra, for that reason (chanting of Hayagriba mantra sitting on bamboo seat is prohibited in tantra shastra, and thus results with negative effects—poverty) he was poor throughout the life even though he was the dewan (administrative officer) of the king of Nayagarh. He composed invocations and prayers for Lord Jagannath, the deity of Jagannath Temple at Puri. His noted works include two longer poems in ornate riti-kal style, Raghab Bilasa and Prabandha Purnachandra.[1][2]
It is said that Jadumani was a great opponent of Brahmins (one of the four casts among Hindus) for their monopoly in Hindu rituals and misguiding the public in the name of dharma (religion). To teach Brahmins a lesson, he once invited a group of vedanti Brahmins on one of the anniversary of his late father and applauded them with lavish meals. After the bhojan (eating of meals), he told them that his late father had always a wish to see to have chadoos (a lining on the forehead with a hot rod of any kind by lightly touching) on the foreheads of Brahmins, and thus applied with a gold stick the chadoos on the Brahmins and the Brahmins could not deny that due to fear of raj danda (punishment by king's men)as he was the dewan of the then king. Since all the Brahmins on that occasion were very much ardent in vedant philosophy, it hurt them so much that on the same day at noon on the bank of Kusumi river, the 108 Brahmins chanted the bramha gayatri (principal gayatri mantra) with tears rolling from their eyes due to that great insult. It is said that all of a sudden a great lightning appeared on the cloud and burst upon Jadumani's only son Bhartuhari and he died on the moment. Jadumani later repented on that event of insulting Brahmins and went to Puri to see lord Jagannath and sang a song named Jagannath janana (a devotional poem on Jagannath). His satirist-humorous poems known as Jadumani Rahasya and anecdotes of his wit and practical jokes are also popular. Though he does not have a complete work to his credit as a humorist, some 100 short and witty compositions have remained in circulation and part of oral folklore, they were collected as Jadumani Rahasya, and later in Jadumani granthavali (Collected works) in 1965.[3][4] He was a contemporary of kabi surya Baladev Rath. Once when he was in Puri at lord Jagannath temple while offering his prayer for his son's death, he met Baldev Rath who was also singing the sarpa janana (a song comparing Jagannath with a sanke)after his son's death. Both great poets of Odisha knew each other from the caliber of each one's song (the depth and meaning of the song which are very high). It is said that he once asked a question to Baldeva Rath who had first asked a question to Jadumani through letter before their meeting at Puri. Jadumani easily answered the question put by Kabisurya but the latter could not provide the former's. For readers fond of riti kabya (classic poetry—ornamented with word mastery), I am quoting here that very question asked by Utkal Ghanta Jadumani Mohapatra.
chhabire ke jine nava rabinki
ke peta poshe dhanusara biki
jala prati veeti kahar neeti
kara bhaya nahin uraga prati
bichari kahib chari padartha eka hoi thibawho defeats the morning sun in his color
who lives his life by selling his weapon
who always fears to water
who does not have fear to snake
tell in one word the answer of the four questions above.
The answer to the above question is abira (or fagu in Odiya or color used in Holi). The meaning justifies as follows: abira's vibrant color defeats the color of the sun (Answer 1), 'abira' means who is not bira (or warrior) he can sell his weapon to earn a living (Answer 2), 'abira' = abi (goat in Odiya)+ ra (possessive)meaning that goat always fears to go near to water (Answer 3), and 'abira' = (a (vishnu)+bi (pakshi or [bird])+ ra (possessive)) which means Garuda the vahana of Lord Vishnu who never fears snakes (Answer 4). This single question raised as a poem shows the versatility of Jadumani's word mastery and the depth and breadth of his poetry.
His Raghav Vilasa and Prabandha Purnachandra stand among the great Oriya epics of reti yuga (poetry in medieval Odisha—mainly from 16th to 18th Century in Odiya language). He died in 1868.[1]
References
- 1 2 3 "Eminnet Personalities". Nayagarh district official website. Retrieved 2014-02-13.
- 1 2 Sujit Mukherjee (1998). A Dictionary of Indian Literature: Beginnings-1850. Orient Blackswan. p. 140. ISBN 978-81-250-1453-9.
- ↑ Mohan Lal (1992). Encyclopaedia of Indian Literature: sasay to zorgot. Sahitya Akademi. p. 3853. ISBN 978-81-260-1221-3.
- ↑ Amaresh Datta (1988). Encyclopaedia of Indian Literature: devraj to jyoti. Sahitya Akademi. p. 1613. ISBN 978-81-260-1194-0.