Lalo Schifrin

Lalo Schifrin

In concert with the Big Band of the Hochschule für Musik und Tanz Köln, in 2006
Background information
Birth name Boris Claudio Schifrin
Born (1932-06-21) June 21, 1932
Buenos Aires, Argentina
Genres
Occupation(s)
  • Musician
  • composer
  • arranger
  • conductor
Instruments
  • Piano
  • keyboards
Years active 1950–present
Labels

Lalo Schifrin (born Boris Claudio Schifrin, June 21, 1932)[1] is an Argentine pianist, composer, arranger, and conductor. He is best known for his film and TV scores, such as the "Theme from Mission: Impossible". He has received four Grammy Awards and six Oscar nominations. Schifrin, associated with the jazz music genre, is also noted for work with Clint Eastwood in the late 1960s, 1970s, and 1980s, particularly the Dirty Harry films.

Early life

Schifrin was born in Buenos Aires to Jewish parents.[2] His father, Luis Schifrin, led the second violin section of the orchestra at the Teatro Colón for three decades.[1] At the age of six, Schifrin began a six-year course of study on piano with Enrique Barenboim, the father of the pianist and conductor Daniel Barenboim. At age 16, Schifrin began studying piano with the Greek-Russian expatriate Andreas Karalis, former head of the Kiev Conservatory, and harmony with Argentine composer Juan Carlos Paz. During this time, Schifrin also became interested in jazz.

Although Schifrin studied sociology and law at the University of Buenos Aires, music captured his attention.[1] At age 20, he successfully applied for a scholarship to the Paris Conservatoire. At night, he played jazz in the Paris clubs. In 1955, Schifrin played piano with Argentinian bandoneon giant Ástor Piazzolla, and represented his country at the International Jazz Festival in Paris.

Later life and career

After returning home to Argentina, Schifrin formed a jazz orchestra, a 16-piece band that became part of a popular weekly variety show on Buenos Aires TV. Schifrin also began accepting other film, television, and radio assignments. In 1956, Schifrin met Dizzy Gillespie and offered to write an extended work for Gillespie's big band. Schifrin completed the work, Gillespiana, in 1958[1] (it was recorded in 1960). Later that year, Schifrin began working as an arranger for Xavier Cugat's popular Latin dance orchestra.

While in New York in 1960, Schifrin again met Gillespie, who had by this time disbanded his big band for financial reasons. Gillespie invited Schifrin to fill the vacant piano chair in his quintet. Schifrin immediately accepted and moved to New York City. Schifrin wrote a second extended composition for Gillespie, The New Continent, which was recorded in 1962. In 1963, MGM, which had Schifrin under contract, offered the composer his first Hollywood film assignment with the African adventure Rhino!.[1] Schifrin moved to Hollywood late that year. He also radically rearranged the theme for the popular NBC-TV series The Man from U.N.C.L.E., altering original composer Jerry Goldsmith's theme to a jazzy melody emphasizing flutes and exotic percussion, which wound up winning the Emmy award for Best TV Theme in 1965.

One of Schifrin's most recognizable and enduring compositions is the theme music for the long-running TV series Mission: Impossible. It is a distinctive tune written in the uncommon 5/4 time signature. Similarly, Schifrin's theme for the hugely successful Mannix private eye TV show was composed a year later in a 3/4 waltz time; Schifrin composed several other jazzy and bluesy numbers over the years as additional incidental music for the show.

Schifrin's "Tar Sequence" from his Cool Hand Luke score (also written in 5/4) was the longtime theme for the Eyewitness News broadcasts on New York station WABC-TV and other ABC affiliates, as well as National Nine News in Australia. CBS Television used part of the theme of his St. Ives soundtrack for its golf broadcasts in the 1970s and early 1980s.

Schifrin's score for Coogan's Bluff in 1968 was the beginning of a long association with Clint Eastwood and director Don Siegel. Schifrin's strong jazz blues riffs were evident in Dirty Harry.

Schifrin's working score for 1973's The Exorcist was rejected by the film's director, William Friedkin. Schifrin had written six minutes of difficult and heavy music for the initial film trailer, but audiences were reportedly frightened by the combination of sights and sounds. Warner Bros. executives told Friedkin to instruct Schifrin to tone it down with softer music, but Friedkin did not relay the message. Schifrin's final score was thrown out into the parking lot. Schifrin reported in an interview that working with Friedkin was one of the most unpleasant experiences in his life.[3]

In 1976 he released a single called "Jaws" on CTI (Creed Taylor Incorporation) records. This was the theme from the Universal Picture "Jaws" and reached number 14 in the UK chart and ran for 9 weeks.

In the 1990s, he did many of the arrangements for the Three Tenors concerts.

In the 1998 film Tango, Schifrin returned to the tango music with which he had grown familiar while working as Ástor Piazzolla's pianist in the mid-1950s. He brought traditional tango songs to the film, as well as introducing compositions of his own in which tango is fused with jazz elements.[4]

In 1997, the composer founded Aleph Records.[5]

He also wrote the main theme for Splinter Cell: Pandora Tomorrow.

Schifrin made a cameo appearance in Red Dragon (2002) as an orchestra conductor.

He is also widely sampled in hip-hop and trip-hop songs, such as Heltah Skeltah's "Prowl" or Portishead's "Sour Times". Both songs sample Schifrin's "Danube Incident", one of many themes he composed for specific episodes of the Mission: Impossible TV series.

On April 23, 2007, Lalo Schifrin presented a concert of film music for the Festival du Film Jules Verne Aventures (Festival Jules Verne), at Le Grand Rex theatre in Paris, France – Europe's biggest movie theater – that was caught by festival leaders for a 73-and-a-half-minute CD named Lalo Schifrin: Le Concert à Paris.

In 2010, a fictionalised account of Lalo Schifrin's creation of the "Theme from Mission: Impossible" tune was featured in a Lipton TV commercial aired in a number of countries around the world.[6]

Alternative hip hop group Blue Scholars recorded a track entitled "Lalo Schifrin" on their third album Cinemetropolis (2011).

Awards

To date, Lalo Schifrin has won four Grammy Awards (with 21 nominations), one Cable ACE Award, one Emmy Award, and received six Academy Award nominations, and has a star on the Hollywood Walk of Fame. In 2016 it was announced that his Mission: Impossible theme will be inducted into the GRAMMY Hall of Fame.[7]

Discography

See also

References

  1. 1 2 3 4 5 Huey, Steve (1932-06-21). "Allmusic biography". Allmusic.com. Retrieved 2012-06-25.
  2. ↑ Brook, Vincent (2006). You should see yourself: Jewish identity in postmodern American culture. Rutgers University Press. p. 96. ISBN 0-8135-3845-9.
  3. ↑ "Schifrin interview with Miguel Ángel Ordóñez & Pablo Nieto for ''Score Magacine'' (translated from the original Spanish)". Scoremagacine.com. 2005-05-20. Retrieved 2012-06-25.
  4. ↑ "Sony Pictures. Tango: The Production. Production notes". Sonypictures.com. Retrieved 2012-06-25.
  5. ↑ "Aleph Records discography". Dougpayne.com. Retrieved 2012-06-25.
  6. ↑ "Lipton Yellow Label Tea: Mission Impossible?". Popsop. Retrieved 2012-06-25.
  7. ↑ "Grammy news release". GRAMMYs.
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