Le médecin malgré lui (opera)

Le médecin malgré lui (The Doctor in spite of himself; sometimes also called The Mock Doctor) is an opéra comique in three acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré after Molière's play, also entitled Le Médecin malgré lui.

Performance history

It premiered at the Théâtre Lyrique, Paris on 15 January 1858.[1] As the work uses spoken dialogue and verse taken directly from Molière's play, the Comédie-Française tried unsuccessfully to block performance of the opera.[2] It was revived at the Opéra-Comique in 1872, 1886, 1902 and 1938; was seen in Hamburg, Stockholm and Warsaw in 1862; and in England between 1865 and 1891.[3] On 25 November 1978 the opera received its 100th performance at the Opéra-Comique, conduced by Sylvain Cambreling and with Jean-Philippe Lafont, Jocelyne Taillon and Jules Bastin among the cast.[4]

The opera has been rarely performed in recent years, although there have been radio broadcasts: from the BBC in the 1950s and French radio in the 1970s.

Yale Opera, in a partnership with the Beinecke Rare Book and Manuscript Library and the Yale French Department, performed the piece with the Erik Satie recitatives in April 2004 in New Haven, Connecticut.[5] Utopia Opera in New York City performed the work in French with English supertitles during March 2013.[6]

Still given from time to time in the French provinces, the Grand Théâtre de Genève mounted a production by Laurent Pelly in April 2016.[7]

Roles

Role Voice type Premiere cast[8] 15 January 1858
(Conductor: Adolphe Deloffre)
Sganarelle, a woodcutter ('fagotier') baritone Auguste Meillet
Léandre, Lucinde's lover tenor Fromont
Martine, Sganarelle's wife mezzo-soprano Amélie Faivre
Jacqueline, Lucas' wife mezzo-soprano Caroline Girard
Lucinde, Géronte's daughter soprano Esther Caye
Géronte, a wealthy bourgeois bass Lesage
Valère, Géronte's valet baritone Émile Wartel
Lucas, Géronte's servant tenor Adolphe Girardot
Monsieur Robert actor Ernest Leroy
Woodcutters, musicians, peasants chorus

Synopsis

Place: Rural France
Time: the 17th century

Overture

Act 1

In a forest

Sganarelle is a drunken wood-cutter who ill-treats his wife (Duo "Non, je te dis que je n'en veux rien faire"). She is waiting for a chance for revenge (Couplets "Toute femme tient"), when Valère and Lucas, servants of wealthy Géronte, present themselves in search of a doctor for Géronte's daughter, Lucinde who is feigning dumbness in order to avoid an unpalatable marriage. Martine, Sganarelle's wife tells Valère and Lucas that her husband is a learned doctor, but will refuse to practise his art unless he is given a thrashing. They find the oblivious wood-cutter drinking (Couplets "Qu'ils sont doux"), and force him (Trio "Monsieur n'est ce pas"), by blows to admit his imputed profession and go with them. (Chorus "Nous faisons tous")

Act 2

A room in Géronte's house

In the "Entr'acte", Léandre sings a serenade for Lucinde (Sérénade "Est-on sage"). Géronte complains to Lucinde's nurse Jacqueline's that he has got a rich husband in line for Lucinde as Léandre is too poor (Couplets "D'un bout du monde"). Sganarelle puts on an act as a doctor with nonsense words and false treatments (Sextuor "Eh bien, charmante demoiselle"; Finale "Sans nous").

Act 3

Entr'acte: Géronte's house

(Air "Vive la médicine") After Sganarelle has been introduced to the 'patient' Lucinde, her lover Léandre obtains an interview with him, and under the disguise of an apothecary, arranges an elopement with Lucinde while the mock doctor distracts the father. (Scene et Choeur "Sarviteur Monsieur le Docteur")

("Changement à vue") Sganarelle and Jacqueline flirt (Duo "Ah! que j'en suis, belle nourrice"). When the mock doctor and his apothecary return, Lucinde sees her lover and instantly regains the power of speech. (Quintette "Rien n'est capable") Géronte's fury is so great he is about to call for justice and to have Sganarelle hanged, when Léandre announces his father-in-law that he has just inherited a large property from an uncle. Géronte's objection to Léandre (his poverty) is thus overcome, Sganarelle is saved from punishment, Martine claims the credit for her husband's social elevation – and Sganarelle forgives her (Finale).[9]

Musical style and reputation

The light, non-sentimental style of the music in Le médecin malgré lui has attracted many musicians and critics, including Berlioz.[8] "Gounod is at his best... – an elegant musician, with a charming lyrical gift, a genuine instinct for what may be called 'chamber' drama, and a discreet and well-balanced sense of the orchestra".[10]

Alongside his distinctive feel throughout for French prosody, the Sextet from Act 2 has been noted for its use of song and melodrame where Sganarelle has to diagnose Lucinde's muteness; Gounod also manages pastiches of earlier styles in the march that closes Act 2 and Léandre's serenade.[11]

Other operas based on the same play

By: Désaugiers (1792), Haibel (1841), Poise (1887)[12]

References

Notes
  1. ↑ According to Camille Saint-Saëns, this date was chosen consciously, since it is the anniversary of the birthday of Molière. See Molière's Portraits et Souvenirs, p. 35 etc.
  2. ↑ Haubner S., Grove, 1997
  3. ↑ Johansson E., "Notes for LPs MRF 157-S", 1979.
  4. ↑ Charles Pitt. Report from Paris. Opera, January 1979, Vol 30 No 1, p62-63.
  5. ↑ "Yale Opera Performs Rare Gounod Opera".
  6. ↑ "Utopia Website".
  7. ↑ Nicolas Blanmont. Report from Geneva. Opera, September 2016,Vol 67 No 9, p1154-55.
  8. 1 2 Haubner, S. The Operas of Charles Gounod
  9. ↑ Kenney, C.L.
  10. ↑ Cooper M.
  11. ↑ Lacombe H.
  12. ↑ Wiley Hitchcock H.
Sources

External links

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