| Year |
Op. |
M.S. catalog[1] |
Title |
Key |
Instruments |
Notes |
| 1795 c. | | 1 | Carmagnola con variazioni (Carmagnola variations) | A | Violin / Guitar | 14 Variations on the French Hymn "Carmagnole" |
| 1803 | 61 | 2 | Sonata concertata | A | Violin / Guitar | |
| 1803/04 | | 3 | Grande Sonata | A | Violin / Guitar | |
| 1804 | | 4 | "Divertimenti Carnevaleschi", 20 pieces | | 2 Violins / bass | for 2 violins and cello; (aka. Divertimenti Carnascialeschi); sections: Minuetto, Alessandrina 1-6, Perigordino 1-2, Valzer 1-4, Scozzese, Inglese 1-6, Variazioni |
| 1805/09 | | 5 | Sonata "Napoleone" | Eb | Violin / Orch. | Sonata with variations for the fourth string |
| 1805/09 | | 6 | Duo Merveille (Sonata for solo violin) | C | Violin | (aka. Duet for solo violin, Merveille de Paganini) |
| 1805/09 | | 7 | 3 "Lucca" Sonatas (Opera III) | | | |
| 1805/09 | | 8 | "Entrata d'Adone nella reggia di Venere" | | Violin / Guitar | Entrance of Adonis in the Royal Palace of Venus |
| 1805/09 | | 9 | 6 "Lucca" Sonatas (Opera I) | | Violin / Guitar | |
| 1805/09 | | 10 | 6 "Lucca" Sonatas (Opera II) | | Violin / Guitar | |
| 1805/09 | | 11 | 6 "Lucca" Sonatas (Opera IV) | | Violin / Guitar | |
| 1805/09 | | 12 | 6 "Lucca" Sonatas (Opera V) | | Violin / Guitar | |
| 1805/09 | | 13 | 6 "Lucca" Sonatas (Opera VI) | | Violin / Guitar | |
| 1805/06 | | 14 | Serenata per Rovene | e | Mandolin / Guitar | also for violin and guitar[2] |
| 1805/06 | | 15 | 4 Notturni un Quartetto | | Violin / Piano | |
| 1805/06 | | 16 | Serenata | g | Mandolin / Guitar | |
| 1808 | | 17 | Serenata (Trio) | C | Guitar / Strings | guitar, viola and cello |
| 1810 (before) | | 18 | Polacca con variazioni | A | Violin / Orch. | Polacca with variations |
| 1813 | 8 | 19 | Le Streghe (aka. Witches Dance) | D | Violin / Orch. | Variations on a theme from the ballet of Salvatore Viganò Il noce di Benevento, music by Franz Xaver Süssmayr. First performed at a solo concert in La Scala on October 29, 1813. The audience was so impressed that has requested a repeat.[3] Jean Schneitzhoeffer was so inspired by Paganini's performance that repelled Le Streghe in the scene of the Madge's witchcraft which opens Act II of his ballet La Sylphide (1832).[4] |
| 1815 c. | | 20 | 3 String Quartets | d, Eb, a | String Quartet | 2 violins, viola and cello |
| 1816 | 6 | 21 | Violin Concerto No.1 | D | Violin / Orch. | Eb, but usually transposed to D[5] |
| 1819 | 12 | 22 | "Non più mesta accanto al fuoco" (Introduzione e variazioni su) | Eb | Violin / Orch. | Introduction and Variations on a Theme from La Cenerentola, Rossini |
| 1818/19 | | 23 | Sonata "a Preghiera" (aka. Moses Fantasy) | c/C | Violin / Orch. | Variations for the fourth string on the theme "Dal tuo stellato soglio" from Mosè in Egitto, Rossini |
| 1819 | | 24 | Pot-Pourri | | [6] Violin / Orch. | 1831[5] |
| 1818 (before) | 1 | 25 | 24 Capricci | | Violin | in the form of études, dedicated Alli Artisti |
| 1805/09 | 2 | 26 | 6 Sonatas (Sonatine), opus II | A, C, d, A, D, a | Violin / Guitar | dedicated "Al Signor Agostino Dellepiane": No.1 (I. Menuetto. Adagio; II. Polonese. Quasi Allegro) - No.2 (I. Larghetto espressivo; II. Allegro spiritoso) - No.3 (I. Adagio maestoso; II. Andantino. Galantemente) - No.4 (I. "La Sinagoga". Andante Caleando; II. Andantino con brio) - No.5 (I. Andante moderato. Impostatamente; II. Allegro spiritoso) - No.6 (I. Largo. Con precisione; II. Tempo di Valtz). |
| 1805/09 | 3 | 27 | 6 Sonatas (Sonatine), opus III | A, G, D, a, A, e | Violin / Guitar | dedicated "Alla ragazza Eleonora (Quilici)": No.1 (I. Larghetto; II. Presto variato) - No.2 (I. Adagio; II. Andantino scherzoso) - No.3 (I. Andante sostenuto; II. Rondò. Molto allegro) - No.4. (I. Andante. Largo; II. Allegretto motteggiando) - No.5 (I. Adagio amoroso; II. Allegretto energicamente. Minore) - No.6 (I. Andante innocentemente; II. Allegro vivo e spiritoso). |
| 1806/16 | 4/1 | 28 | Guitar Quartet No.1 | a | Guitar / Strings | for guitar, violin, viola and cello / (I. Introduzione. Andante marcato - Vivace: II. Minuetto alla marsigliese. Andantino; III. Tema. Adagetto cantabile - Var.I-III) / 1813–15c,[2] 1806–16[5] |
| 1806/16 | 4/2 | 29 | Guitar Quartet No.2 | C | Guitar / Strings | for guitar, violin, viola and cello / (I. Moderato; II. Minuetto. Andante; III. Larghetto; IV. Rondò. Allegretto) / 1813–15c,[2] 1806–16[5] |
| 1806/16 | 4/3 | 30 | Guitar Quartet No.3 | A | Guitar / Strings | for guitar, violin, viola and cello / (I. Pour-pourri. Allegro; II. Minuetto alla spagnola. Andantino; III. Romanza. Adagio non tanto; IV. Rondò. Allegretto) / 1813–15c,[2] 1806–16[5] |
| 1813/15 | 5/1 | 31 | Guitar Quartet No.4 | D | Guitar / Strings | for guitar, violin, viola and cello / dedicated "Alle amatrici" (I. Presto; II. Canone a tre. Andante sottovoce e staccato - Trio; III. Tema. Cantabile, quasi larghetto - Var.I-III; IV. Finale. Prestissimo) |
| 1813/15 | 5/2 | 32 | Guitar Quartet No.5 | C | Guitar / Strings | for guitar, violin, viola and cello / dedicated "Alle amatrici" (I. Allegro; II. Minuetto. Allegretto; III. Cantabile. Larghetto; IV. Polacca. Quasi presto) |
| 1813/15 | 5/3 | 33 | Guitar Quartet No.6 | d | Guitar / Strings | for guitar, violin, viola and cello / dedicated "Alle amatrici" (I. Allegro; II. Canone a tre. Allegro moderato; III. Tema. Cantabile, quasi larghetto - Var.I-III; IV. Polacchetta. Allegro con brio) |
| 1817/18 | | 34 | Guitar Quartet No.7 | E | Guitar / Strings | for guitar, violin, viola and cello (I. Allegro moderato; II. Minuetto. Allegretto; III. Adagio cantabile. Sostenuto con passione; IV. Rondò. Vivace) |
| 1817/18 | | 35 | Guitar Quartet No.8 | A | Guitar / Strings | for guitar, violin, viola and cello (I. Allegro; II. Minuetto. Andantino; III. Cantabile. Molto adagio; IV. Rondò. Allegretto) |
| 1818 | | 36 | Guitar Quartet No.9 | D | Guitar / Strings | for guitar, violin, viola and cello (I. Allegro moderato; II. Minuetto alla Valtz. Allegretto mosso; III. Adagio. Sostenuto, appassionatamente; IV. Finale. Allegro vivace) |
| 1818 | | 37 | Guitar Quartet No.10 | A | Guitar / Strings | for guitar, violin, viola and cello (I. Allegro; II. Minuetto Scherzo. Allegretto mosso; III. Adagio cantabile; IV. Rondò. Andantino con brio) |
| 1819 | | 38 | Guitar Quartet No.11 | B | Guitar / Strings | for guitar, violin, viola and cello (I. Allegretto moderato; II. Minuetto. Allegretto; III. Larghetto, con passione; IV. Polacca. Andantino) |
| 1819 | | 39 | Guitar Quartet No.12 | a | Guitar / Strings | for violin, viola, cello and guitar (I.Allegro giusto; II. Adagio tenuto, con precisione; III. Minuetto. Allegretto mosso) |
| 1819 | | 40 | Guitar Quartet No.13 | f | Guitar / Strings | for guitar, violin, viola and cello (I. Allegro con brio; II. Minuetto. Allegretto; III. Larghetto, tenuto con anima; IV. Finale. Prestissimo) |
| 1819 | | 41 | Guitar Quartet No.14 | A | Guitar / Strings | for violin, viola, cello and guitar (I. Allegro maestoso; II. Minuetto Scherzo. Allegretto; III. Largo con sentimento; IV. Finale. Allegro vivace) |
| 1820 | | 42 | Guitar Quartet No.15 | a | Guitar / Strings | for guitar, violin, viola and cello (I. Maestoso; II. Minuetto a canone. Andantino; III. Recitativo. Andante sostenuto, con sentimento; IV. Adagio cantabile; V. Rondò. Allegretto) |
| 1820 c. | | 43 | 43 Ghiribizzi (phantasies) | n.a. | Guitar | No.16 "Nel cor più non mi sento" (Violin solo version, 1821)[2] / No.17 "Le Streghe" / No.20 "Là ci darem la mano" (Don Giovanni) |
| 1827 | 38 | 44 | Nel cor più non mi sento | G | Violin | Introduction and variations on "Nel cor più non mi sento" from La Molinara (1788) by Giovanni Paisiello |
| 1823/24 | 19 | 45 | Cantabile e Valtz | E | Violin / Guitar | 1823,[5] 1824c[2] |
| 1824 | | 46 | Sonata Militare ("Non più andrai") | | [6] Violin / Orch. | Variations for the fourth string on the theme "Non piu andrai" from The Marriage of Figaro, Mozart |
| 1818 c. | | 47 | Sonata con variazioni ("Pria ch'io l'impegno") | E | Violin / Orch. | Variations on the theme "Pria ch'io l'impegno" from L'amor marinaro, Joseph Weigl / 1818,[2] 1828[5] |
| 1826 | 7 | 48 | Violin Concerto No.2 | b | Violin / Orch. | 3rd movement (Rondo) aka. La Campanella, Rondo a la clochette |
| 1826 c. | | 49 | Adagio | Bm/Eb | Violin / Orch. | Alternative Adagio for Violin Concerto No.2 |
| 1826 | | 50 | Violin Concerto No.3 | E | Violin / Orch. | |
| 1828 | | 51 | Maestosa Sonata Sentimentale | | Violin / Orch. | Variations for the fourth string on the theme "Gott erhalte Franz den Kaiser" (Austrian national anthem) by Joseph Haydn |
| 1828 | | 52 | La Tempesta ("Grande Sonata drammatica") | | Violin / Orch. | While in Vienna, Paganini commissioned Joseph Panny, fellow violinist and composer, to write the "Tempest" on 25 May 1828 (it was completed on 14 June), supervising himself the composition. It is scored in various sections: a) Prelude. Whirlwind - b) Start of the Storm - c) Prayer - d) Alarm at Sea - d) Great Storm - e) General Alert - f) Calm (Andantino cantabile) – g) Finale (Theme, 2 Variations and Coda). Violin and Piano reduction by Daniele Zanettovich - World modern première - video on YouTube |
| 1828 | | 53 | E pur amabile | | Vocal / Piano | Aria for soprano and piano |
| 1828 | | 54 | Capriccio | G | Violin | (aka. Preludio) |
| 1831 c. | | 55 | Sonatina e Polacchetta (with variations) | Bb | [6] Violin / Orch. | 1829,[2] 1831[5] |
| 1829 | 9 | 56 | Variations on "God Save the King" (Heil dir im Siegerkranz) | | Violin | Variations on the English national anthem (aka. "God Save the Queen") |
| 1829 | | 57 | Sonata Varsavia | | Violin / Orch. | Variations on a mazurka by J. Elsner / Violin part only, orchestra part lost |
| 1828/29 | | 58 | Sonata Appassionata | | [6] Violin / Orch. | 1829,[2] 1828[5] |
| 1829 | 10 | 59 | Il Carnevale di Venezia ("The Carnival of Venice") | A | Violin / Orch. | Variations on the neapolitan song "O mamma, mamma cara" |
| 1829/30 | | 60 | Violin Concerto No.4 | d | Violin / Orch. | |
| 1830 | | 61 | Sonata amorosa Galante | | [6] Violin / Orch. | |
| 1830 | | 62 | Quel jour heureux (Patriotic Song) | | Vocal / Chorus / Piano | for soloist, male choir and piano, on a G. Harrys text |
| 1831 | | 63 | Rondo | A | Violin / Cello | |
| 1831 | | 64 | St Patrick's Day | | [6] Violin / Orch. | Variation on the Irish folktune[5] |
| 1831 c. | | 65 | Concertino "to Mr.Henry" | E | Misc. / Orch. | for horn, bassoon and orchestra / dedicated to "Mr. Antoine Nicholas Henry" (I. Larghetto; II. Allegro moderato) |
| 1831/32 | | 66 | Perpetuela (Sonata a movimento perpetuo) | C | Violin / Orch. | 2 versions (incomplete work): with piano or orchestra (A or Bb)[5] |
| 1828/32 | | 67 | Le Couvent du Mont St.Bernard (The Couvent of the Mount Saint Bernard) | | Misc. / Orch. | for violin, wordless chorus and orchestra (I. Andante sonnolento; II. Pendule. Lento; III. Minuetto. Moderato; IV. L'aurora. Lento - Maestoso; V. Rondò del campanello) |
| 1831/33 | | 68 | Caprice d'adieu (Farewell Caprice) | | Violin | Dedicated "A mon ami M. E. Eliason" / 1831c,[5] 1833c[2] |
| 1833 | | 69 | Terzetto | D | Guitar / Strings | for guitar, violin and cello |
| 1834 | | 70 | Sonata per la Grand Viola (Sonata for large viola) | c | Viola / Orch. | |
| 1835 | 14 | 71a | Variazioni sul Barucabà (Barucaba variations) | | Violin | (original version for solo violin) 60 Variations on the Genoese folksong "Barucabà" (Part I: Tema in A major, with 20 Var. - Part II: Tema in C major, with 20 Var. - Part III: Tema in D major, with 20 Var.) |
| 1835 | 14 | 71b | Variazioni sul Barucabà (Barucaba variations) | | Violin / Guitar | (2nd version for violin and guitar) 60 Variations on the Genoese folksong "Barucabà" |
| 1835 | 11 | 72 | Moto Perpetuo (Perpetual Motion) | C | Violin / Guitar | (Allegro vivace a movimento perpetuo) / (Violin and Piano version, ed. by Ferdinand David) |
| 1835 | 11 | 72 | Moto Perpetuo (Perpetual Motion) | C | Violin / Orch. | (Allegro vivace a movimento perpetuo) |
| 1838 c. | | 73 | La Primavera, Sonata with variations | A | Violin / Orch. | violin part only, Arr. acc. Piano M. Kergl (1952)[5] |
| 1838 c. | | 74 | Balletto Campestre, Variazioni su un tema comico | | Violin / Orch. | Variations on a comic theme |
| 1815 (before) | posth. | 75 | Violin Concerto No.6 (aka. No."0") | e | Violin / Orch. | orchestration from the Guitar manuscript by Federico Mompellio and Francesco Fiore, published in 1973 |
| 1819/26 | | 76 | Tarantella | a | Violin / Orch. | |
| 1819 | 13 | 77 | I palpiti | A | Violin / Piano | Introduction and Variations on the theme "Di tanti palpiti" from Tancredi, Rossini (piano accomp. by Composer); also arranged for violin and piano by Fritz Kreisler. |
| 1819 | 13 | 77 | I palpiti (Heartbeats) | A | Violin / Orch. | Introduction and Variations on the theme "Di tanti palpiti" from Tancredi, Rossini |
| 1830 | | 78 | Violin Concerto No.5 | a | Violin / Orch. | orchestral parts reconstructed from the solo part in 1959 by Federico Mompellio |
| 1810/1813 | | 79 | Sonata "Maria Luisa" | E[5] | Violin / Orch. | Sonata with variations for the fourth string / Orch. (part lost) / Guitar (arr. version) / 1810,[2] 1813[5] |
| | | 80 | Valtz | | Violin | |
| | | 81 | Inno patriottico (Patriotic hymn) | A | Violin | Allegro with 6 variations |
| | | 82 | Tema variato | A | Violin | Theme with 7 variations[5] |
| | | 83 | Sonata for solo violin | A | Violin | |
| | | 84 | 37 Sonatas (Sonate) | | Guitar | |
| | | 85 | 5 Sonatinas (Sonatine) | | Guitar | 6 Sonatine[2] |
| | | 86 | Allegretto | A | Guitar | from 12 pieces without number (c or d1)[2] |
| | | 87 | Sonata | E | Guitar | |
| | | 88 | Andantino | G | Guitar | |
| | | 89 | Andantino | C | Guitar | from 12 pieces without number (b or f2)[2] |
| | | 90 | Allegretto | A | Guitar | from 12 pieces without number (c or d1)[2] |
| | | 91 | Allegretto | a | Guitar | |
| | | 92 | Valtz | C | Guitar | from 12 pieces without number (e1 or e2)[2] |
| | | 93 | untitled (Rondò) | A | Guitar | |
| | | 94 | Rondoncino | E | Guitar | |
| | | 95 | Allegretto | C | Guitar | |
| | | 96 | Valtz | E | Guitar | from 12 pieces without number (f1)[2] |
| | | 97 | Andantino | C | Guitar | from 12 pieces without number (b or f2)[2] |
| 1800c | | 98 | Sinfonia della Lodovisia | D | Guitar | |
| | | 99 | Andantino | G | Guitar | |
| | | 100 | Valtz | C | Guitar | from 12 pieces without number (e1 or e2)[2] |
| | | 101 | Trio | F | Guitar | |
| | | 102 | Andantino | f | Guitar | |
| | | 103 | Marcia (Una gran marcha) | E | Guitar | Marche en Mi Majeur[2] |
| | | 104 | Minuetto "Che va chiamando Dida" | | Guitar | aka. "Che va chiamando Dida e Perigordino"[2] |
| | | 105 | Marziale (con Trio) | E | Guitar | |
| | | 106 | Minuetto | E | Mandolin | |
| 1802 c.[5] | | 107 | 3 Duetti (Concertante duets) | | Strings | violin and cello |
| | | 108 | Sonata a violino e viola | | Strings | violin and viola |
| 1822/24 | 17 | 109 | Cantabile | D | Violin / Piano | |
| | | 110 | 6 Duetti | | Violin / Guitar | Nos.3–6 originally published as "Quattro Sonatine"[5] |
| 1807 | 63 | 111 | Duetto amoroso | C | Violin / Guitar | I. Principio (Beginning): Allegretto; II. Preghiera (Prayer): Andante; III. Acconsentito (Acconsented): Allegretto; IV. Timidezza (Shyness): Allegro; V. Contentezza (Happiness): Andantino; VI. Lite (Argument): Allegro assai; VII. Pace (Peace): Comodo; VIII. Segnale d'amore (Love Sign): Allegretto; IX. Notizia della partenza (News of departure): Allegretto moderato; X. Distacco (Separation): Allegro molto. |
| 1828 (after) | 64 | 112 A | Centone di sonate, (18) Sonatas - Lettera A (Nos.1–6) | A, D, C, A, E, A | Violin / Guitar | 1. No.1 (I. Introduzione. Larghetto; II. Allegro maestoso. Tempo di marcia, Maggiore; III. Rondoncino. Allegro, Trio. Minore) - 2. No.2 (I. Adagio cantabile; II. Rondoncino. Andantino, Tempo di Polacca, Minore) - 3. No.3 (I. Introduzione. Prestissimo; II. Larghetto cantabile) - 4. No.4 (I. Adagio cantabile: II. Rondò. Andantino, Allegretto, Minore) - 5. No.5 (I. Allegro assai; II. Andantino vivace, Var.I, Var.II: Minore, Var.III: Maggiore) - 6. No.6 (I. Larghetto cantabile; II. Rondò. Allegro assai, Trio). |
| 1828 (after) | 64 | 112 B | Centone di sonate, (18) Sonatas - Lettera B (Nos.7–12) | F, G, A, C, a, D | Violin / Guitar | 7. No.1 (I. Allegro giusto. Buonamente; II. Polacca. Andantino, Allegretto, Trio) - 8. No.2 (I. Andante cantabile; II. Rondò. Allegretto, Trio) - 9- No.3 (I. Allegro maestoso. Tempo di marcia; II. Tema e variazioni. Andante placido, Var.I: Terzine, Var.II, Var.III: Più mosso) - 10. No.4 (I. Allegro risoluto; II. Rondò. Andantino vivace - Tempo di Pastorale, Trio) - 11. No.5 (I. Cantabile. Andante appassionata, con flessibilità; II. Tema e variazioni. Allegro moderato, Var.I, Var.II, Minore; III. Finale. Tempo di Valtz) - 12. No.6 (I. Andante cantabile; II. Rondò. Allegretto, Trio). |
| 1828 (after) | 64 | 112 C | Centone di sonate, (18) Sonatas - Lettera C (Nos.13–18) | E, G, A, E, A, C | Violin / Guitar | 13. No.1 (I. Introduzione. Maestoso, Larghetto. Cantabile; II. Rondò. Allegretto con brio, Trio) - 14. No.2 (I. Andante Adagetto; II. Rondò. Allegro molto vivace, Trio) - 15. No.3 (I. Introduzione. Maestoso; II. Tema e variazioni. Andante moderato, Terzine, Minore, Maggiore; III. Rondò. Allegretto, Trio, Maggiore) - 16. No.4 (I. Allegro vivace; II. Minuetto a Valtz. Allegro vivo, Trio) - 17. No.5 (I. Introduzione. Andante, Corrente, Andante cantabile; II. Rondò. Allegro vivo, Trio) - 18. No.6 (I. Allegro. Presto; II. Rondò a Balletto. Allegro vivissimo, Trio). |
| 1800 (before) | | 113 | 3 Ritornelli | | Strings | for 2 violins and bass |
| 1833 | | 114 | Terzetto concertante | D | Guitar / Strings | for guitar, viola and cello |
| | | 115 | Serenata | F | Guitar / Strings | for guitar and 2 violins |
| | | 116 | Terzetto | a | Guitar / Strings | for guitar and 2 violins |
| 1820c | | 117 | Nel cor più non mi sento | A | Violin / Strings | for violin, 2nd violin and cello |
| 1802 c.[5] | | 118 | Sonata a violino scordato | | Violin / Strings | for solo violin "detuned" and 2 violins |
| | | 119 | Sul margine d'un rio | | Vocal / Piano | Aria for soprano and piano |
| | | 120 | | | | |
| | | 121 | Canzonetta | C | Vocal / Guitar | |
| | | 122 | Duetto | G | Violin / Guitar | |
| | | 123 | | | | |
| | | 124 | | | | |
| | | 125 | | | | |
| | | 126 | | | | |
| | | 127 | | | | |
| | | 128 | | | | |
| | | 129 | | | | |
| 1800 c. | | 130 | 3 Duetti (Three Concertante Duets) | | Violin / Bassoon | Heirs of Ernesto Camillo Sivori, private collection, Genoa / ed. I. Vescovo & F.M. Noguera (Milan, 1997) |
| | | 131 | | | | |
| | | 132 | | | | |
| 1805/09 | | 133 | 6 "Lucca" Sonatas, Nos.1-6 (opera 3) | | Violin / Guitar | No.1 (I. Amoroso; II. Andantino) - No.2 (I. Larghetto compassionevolmente; II. Allegretto scherzando) - No.3 (I. Lento e con grazia; II. Andantino brillante) - No.4 (I. Quasi andante con sentimento; II. Allegro) - No.5 (I. Con anima e trasporto; II. Andantino con brio) - No.6 (I. Quasi larghetto e con enfasi; II. Andantino motteggiando). |
| 1805/09 | | 134 | 6 "Lucca" Sonatas, Nos.7-12 (opera 8) | | Violin / Guitar | No.1 (I. Allegro; II. Adagio con espressione; III. Allegro con brio) - No.2 (I. Introduzione: Largo - Andante con grazia; II. Andantino scherzando - Variazione 1 - Minore - Variazione 2) - No.3 (I. Larghetto sentimentalmente; II. Polonese, andantino brillante) - No.4 (I. Adagio, non tanto; II. Grazioso, allegretto) - No.5 (I. Adagio affettuoso; II. Andantino corrente - Variazione 1 - Minore - Variazione 2) - No.6 (I. Adagio con amore; II. Polonese, allegro con energia). |
