RCA Red Seal Records

RCA Red Seal Records
Parent company Sony Music Entertainment
Founded 1902
Founder Eldridge R. Johnson
Distributor(s) Sony Masterworks
Genre Classical Music
Country of origin US
Official website http://www.sonymasterworks.com
Red Seal label on a circa 1940 disc

RCA Red Seal is a classical music label and is now part of Sony Masterworks.

The use of a distinctive red label for premium-priced records made by top-tier artists was a marketing strategy suggested by the Gramophone Company's agent in St. Petersburg, Russia, where the first "Gramophone Record Red Seal" discs were issued in late 1901 or early 1902.[1] Later in 1902 the practice was adopted by the home office in the United Kingdom, which preferred to refer to the records as "Red Labels", and by its United States affiliate, the Victor Talking Machine Company, in 1903. Led by the great tenor Enrico Caruso, then just at the beginning of his worldwide fame, Red Seal records changed the public's valuation of recorded music. Caruso's first records, made by the Gramophone Company in Italy in 1902, earned prestige as well as profits for the company and its affiliates. Other famous opera stars and classical instrumentalists were soon attracted to their studios, consolidating the companies' positions as the market leaders in the field of serious music by famous performers.[2]

Early acoustical (non-electronic) recordings could be a surprisingly good medium for capturing the sound of singing voices, male voices especially, but while acceptable solo piano and violin recordings could be made, the acoustical process yielded only a flat, muffled, tinny echo of a symphony orchestra. The introduction of electrical recording (or "orthophonic recording", as Victor named its version of the process) in 1925 allowed reproduction of instrumental and orchestral music with greatly improved fidelity. In 1929, the Victor Talking Machine Company was purchased by the Radio Corporation of America (RCA), eventually becoming RCA Victor and, in 1968, simply RCA Records.

RCA Victor's Red Seal series continued its pre-eminence from the 1930s through the 1950s due partly to the recorded output of three of the leading conductors of the time, Serge Koussevitzky, Leopold Stokowski, and Arturo Toscanini. Nearly all of Toscanini's recordings were issued on the Red Seal label, most of them with the NBC Symphony Orchestra (NBC was an RCA subsidiary until 1986). Conductor Arthur Fiedler and the Boston Pops Orchestra spent nearly 35 years with RCA Victor and made many best-selling Red Seal recordings. Stokowski and the Philadelphia Orchestra made Red Seal recordings exclusively from 1917 until 1940. Eugene Ormandy made his first recordings with the Minneapolis Symphony Orchestra in 1934 and with the Philadelphia Orchestra beginning in 1936. Ormandy and the Philadelphians returned to RCA in 1968, after spending 23 years (1944-67) with Columbia Records. Leonard Bernstein also made his first recordings for RCA Victor.

In 1950 RCA began issuing vinyl Long Play Records (originally introduced by Columbia Records in 1948), because they were losing artists and sales due to the company's resistance to adopting the new format.[3] In 1954, RCA began experimenting with stereophonic recording. The first RCA Victor "Stereo Orthophonic" reel to reel tapes were issued in 1955. When stereo LP records first appeared in 1958, RCA introduced their highly regarded "Living Stereo" recordings. During this period RCA was consistently seen as producing some of the finest-sounding recordings then available.

In 1968, RCA introduced a modern logo, de-emphasized the Victor name and "His Master's Voice" trademarks, and the label came to be known as "RCA Red Seal". After General Electric absorbed RCA in 1986 and sold its interest in the record division to Bertelsmann, the Victor name was revived so the label became "RCA Victor Red Seal" before eventually de-emphasizing the Victor and "His Master's Voice" trademarks again, and reverting to "RCA Red Seal" in the early 2000s because of worldwide fragmented ownership of the "His Master's Voice" trademark.

Some Red Seal recording artists

The following artists, conductors, and orchestras have all made Red Seal recordings. Some recordings were made for other overseas companies but were distributed in the USA on the Red Seal label. Many have also recorded or may be currently recording for other labels.

Gold Seal

The RCA Gold Seal mid-priced label was launched in 1975 and mainly consisted of reissues of "Living Stereo" recordings previously issued on the Red Seal label. Later, many older Red Seal recordings from the 78 RPM and early LP era were reissued under the Gold Seal moniker. This included recordings by Golden Age opera stars such as Enrico Caruso, Amelita Galli-Curci and Rosa Ponselle, as well as renowned virtuosos like Vladimir Horowitz, Arthur Rubinstein, and Jascha Heifetz. RCA Victor Gold Seal released complete sets of recordings by Arturo Toscanini, Fritz Kreisler and Sergei Rachmaninoff, among many others.

Silver Seal

Many Red Seal recordings were reissued on the budget-priced RCA Victor Silver Seal label. Several of these recordings were by lesser known performers, but also included some well-known artists, including Eugene Ormandy and the Philadelphia Orchestra and Charles Munch with the Boston Symphony Orchestra. Issues in this series were released on CD and cassette only and did not contain liner notes.

See also

References

  1. ↑ Label scans of some of the first Red Seal records, issued in St. Petersburg circa early 1902, showing explicit use of the words "Red Seal". Accessed 9 November 2016.
  2. ↑ Drowne, Kathleen Morgan; Huber, Patrick (2004). The 1920's. Greenwood. p. 217. ISBN 978-0-313-32013-2. ... appeared on Victor's prestigious Red Seal label, whose records cost as much as $7 apiece (or almost 10 times as much as the company's pop records). During the 1920s, Victor spent millions of dollars advertising its premium-priced classical ...
  3. ↑ Morton, John Fass (2008). Backstory in Blue: Ellington at Newport '56. Rutgers University Press. p. 49. ISBN 978-0-8135-4282-9.
  4. ↑ Discographie

External links

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