William Cowper

This article is about the poet. For other people with the same name, see William Cowper (disambiguation). For the Berkhamsted industrialist William Cooper, see William Cooper (chemical manufacturer).
William Cowper

Cowper[1]
Born 26 November 1731 (1731-11-26)
Berkhamsted, Hertfordshire, England
Died 25 April 1800(1800-04-25) (aged 68)
East Dereham, Norfolk, England
Education Westminster School
Occupation Poet

William Cowper (/ˈkuːpər/ KOO-pər; 26 November 1731 – 25 April 1800)[lower-alpha 1] was an English poet and hymnodist. One of the most popular poets of his time, Cowper changed the direction of 18th century nature poetry by writing of everyday life and scenes of the English countryside. In many ways, he was one of the forerunners of Romantic poetry. Samuel Taylor Coleridge called him "the best modern poet", whilst William Wordsworth particularly admired his poem Yardley-Oak.[2] He was a nephew of the poet Judith Madan.

After being institutionalised for insanity in the period 1763–65, Cowper found refuge in a fervent evangelical Christianity, the inspiration behind his much-loved hymns. He continued to suffer doubt and, after a dream in 1773, believed that he was doomed to eternal damnation. He recovered and wrote more religious hymns.

His religious sentiment and association with John Newton (who wrote the hymn "Amazing Grace") led to much of the poetry for which he is best remembered, and to the series of Olney Hymns. His poem "Light Shining out of Darkness" gave English the phrase: "God moves in a mysterious way/His wonders to perform."

He also wrote a number of anti-slavery poems and his friendship with Newton, who was an avid anti-slavery campaigner, resulted in Cowper being asked to write in support of the Abolitionist campaign.[3] Cowper wrote a poem called 'The Negro's Complaint' (1788) which rapidly became very famous, and was often quoted by Dr. Martin Luther King, Jr. during the 20th century civil rights movement.[4] He also wrote several other less well known poems on slavery in the 1780s, many of which attacked the idea that slavery was economically viable.[5]

Life

William Cowper

William Cowper was born in Berkhamsted, Hertfordshire, England where his father John Cowper was rector of the Church of St Peter.[6] His mother was Ann Cowper. He and his brother John were the only two of seven children to live past infancy. Ann died giving birth to John on 7 November 1737. His mother’s death at such an early age troubled William deeply and was the subject of his poem, “On the Receipt of My Mother's Picture,” written more than fifty years later. He grew close to her family in his early years. He was particularly close with her brother Robert and his wife Harriot. They instilled in young William a love of reading and gave him some of his first books – John Bunyan’s Pilgrim’s Progress and John Gay’s Fables.

Cowper was first enrolled in Westminster School in April of 1742 after moving from school to school for a number of years. He had begun to study Latin from a young age, and was an eager scholar of Latin for the rest of his life. Older children bullied Cowper through many of his younger years. At Westminster School he studied under the headmaster John Nicoll. At the time Westminster School was popular amongst families belonging to England’s Whig political party. Many intelligent boys from families of a lower social status also attended, however. Cowper made lifelong friends from Westminster. He read through the Iliad and the Odyssey, which ignited his lifelong scholarship and love for Homer’s epics. He grew skilled at the interpretation and translation of Latin, which he put to use for the rest of his life. He was skilled in the composition of Latin as well and wrote many verses of his own.[7]

After education at Westminster School, Cowper was articled to Mr Chapman, solicitor, of Ely Place, Holborn, to be trained for a career in law. During this time, he spent his leisure at the home of his uncle Bob Cowper, where he fell in love with his cousin Theodora, whom he wished to marry. But as James Croft, who in 1825 first published the poems Cowper addressed to Theodora, wrote, "her father, from an idea that the union of persons so nearly related was improper, refused to accede to the wishes of his daughter and nephew." This refusal left Cowper distraught.

In 1763 he was offered a Clerkship of Journals in the House of Lords, but broke under the strain of the approaching examination; he experienced a period of depression and insanity. At this time he tried three times to commit suicide and was sent to Nathaniel Cotton's asylum at St. Albans for recovery. His poem beginning "Hatred and vengeance, my eternal portions" (sometimes referred to as "Sapphics") was written in the aftermath of his suicide attempt.

After recovering, he settled at Huntingdon with a retired clergyman named Morley Unwin and his wife Mary. Cowper grew to be on such good terms with the Unwin family that he went to live in their house, and moved with them to Olney. There he met curate John Newton, a former captain of slave ships who had devoted his life to the gospel. Not long afterwards, Morley Unwin was killed in a fall from his horse; Cowper continued to live in the Unwin home and became greatly attached to the widow Mary Unwin.

At Olney, Newton invited Cowper to contribute to a hymnbook that he was compiling. The resulting volume, known as Olney Hymns, was not published until 1779 but includes hymns such as "Praise for the Fountain Opened" (beginning "There is a fountain fill'd with blood") and "Light Shining out of Darkness" (beginning "God Moves in a Mysterious Way") which remain some of Cowper's most familiar verses. Several of Cowper's hymns, as well as others originally published in the Olney Hymns, are today preserved in the Sacred Harp, which also collects shape note songs.

In 1773, Cowper experienced an attack of insanity, imagining not only that he was eternally condemned to hell, but that God was commanding him to make a sacrifice of his own life. Mary Unwin took care of him with great devotion, and after a year he began to recover. In 1779, after Newton had moved from Olney to London, Cowper started to write poetry again. Mary Unwin, wanting to keep Cowper's mind occupied, suggested that he write on the subject of The Progress of Error. After writing a satire of this name, he wrote seven others. These poems were collected and published in 1782 under the title Poems by William Cowper, of the Inner Temple, Esq.

Crazy Kate, illustration for Cowper's The Task by Henry Fuseli (1806–1807).

In 1781 Cowper met a sophisticated and charming widow named Lady Austen who inspired new poetry. Cowper himself tells of the genesis of what some have considered his most substantial work, The Task, in his "Advertisement" to the original edition of 1785:

…a lady, fond of blank verse, demanded a poem of that kind from the author, and gave him the SOFA for a subject. He obeyed; and, having much leisure, connected another subject with it; and, pursuing the train of thought to which his situation and turn of mind led him, brought forth at length, instead of the trifle which he at first intended, a serious affair—a Volume!

In the same volume Cowper also printed "The Diverting History of John Gilpin", a notable piece of comic verse. John Gilpin was later credited with saving Cowper from becoming completely insane.

Harriett Hesketh by Francis Coates

Cowper and Mary Unwin moved to Weston Underwood, Buckinghamshire in 1786, having become close with his cousin Lady Harriett Hesketh (Theodora's sister).[8] During this period he started his translations of Homer's Iliad and Odyssey into blank verse. His versions (published in 1791) were the most significant English renderings of these epic poems since those of Alexander Pope earlier in the century. Later critics have faulted Cowper's Homer for being too much in the mould of John Milton.

In 1795 Cowper moved with Mary to Norfolk. They originally stayed at North Tuddenham, then at Dunham Lodge near Swaffham and then Mundesley before finally settling in East Dereham.

Mary Unwin died in 1796, plunging Cowper into a gloom from which he never fully recovered. He did continue to revise his Homer for a second edition of his translation. Aside from writing the powerful and bleak poem, "The Castaway", he penned some English translations of Greek verse and translated some of the Fables of John Gay into Latin.

Cowper was seized with dropsy in the spring of 1800 and died. He is buried in the chapel of St Thomas of Canterbury, St Nicholas's Church, East Dereham.[2] A window in Westminster Abbey honours him.[9]

Major works

Hymns

Cowper is represented with fifteen hymns in The Church Hymn book 1872:

Familiar quotations

GOD moves in a mysterious way,
His wonders to perform;
He plants his footsteps in the sea,
And rides upon the storm.

"Light Shining out of Darkness", Olney Hymns, 1779 

There is a fountain fill'd with blood
Drawn from Emmanuel's veins;
And sinners, plung'd beneath that flood,
Lose all their guilty stains.

"Praise for the Fountain Opened", Olney Hymns, 1779 

Oh! for a closer walk with GOD,
A calm and heav'nly frame;
A light to shine upon the road
That leads me to the Lamb!

"Walking with God", Olney Hymns, 1779 

God made the country, and man made the town.

"The Sofa", The Task, I, 1785, line 749 

There is a pleasure in poetic pains
Which only poets know.

"The Timepiece", The Task, II, 1785, lines 285–6 

Variety's the very spice of life,
That gives it all its flavour.

"The Timepiece", The Task, II, 1785, lines 606–7 

I am monarch of all I survey,
My right there is none to dispute;
From the centre all round to the sea,
I am lord of the fowl and the brute.

Verses Supposed to be Written by Alexander Selkirk, 1782, lines 1–4 

No voice divine the storm allay'd,
No light propitious shone;
When, snatch'd from all effectual aid,
We perish'd, each alone;
But I beneath a rougher sea,
And whelmed in deeper gulphs than he.

The Castaway, 1799, lines 61–66 

'Tis pleasant, through the loopholes of retreat,
To peep at such a world; to see the stir
Of the great Babel, and not feel the crowd;
To hear the roar she sends through all her gates
At a safe distance, where the dying sound
Falls a soft murmur on the uninjur'd ear.

"The Winter Evening", The Task, IV, 1785, lines 88–93 

Works

Notes

  1. ↑ Date of birth is given in New Style (Gregorian calendar). Old Style date is 15 November 1731.Public Domain This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "New Style Calendar". Encyclopædia Britannica (11th ed.). Cambridge University Press.

References

  1. ↑ Abbott, Lemuel Francis (1792), Cowper (portrait)
  2. 1 2 http://www.poetsgraves.co.uk/cowper.htm
  3. ↑ http://www.bl.uk/learning/histcitizen/campaignforabolition/abolitionbackground/biogs/greatcampaigners.html
  4. ↑ King, Martin Luther Jr., Carson, Clayborne; Holloran, Peter; Luker, Ralph; et al., eds., The Papers of Martin Luther King, Jr: Threshold of a new decade.
  5. ↑ "Great campaigners", Abolition background, UK: BL.
  6. ↑ Alumni Oxonienses 1500–1714. Abannan-Kyte. 1891. pp. 338–65. Retrieved 16 December 2010.
  7. ↑ Rhodes, N., (ed.), William Cowper: Selected Poems, Psychology Press, 2003, p. 8.
  8. ↑ James William Kelly, ‘Hesketh , Harriet, Lady Hesketh (bap. 1733, d. 1807)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Jan 2008 accessed 24 Jan 2015
  9. ↑ Dunton, Larkin (1896). The World and Its People. Silver, Burdett. p. 35.

Bibliography

Further reading

See also

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