Melvyn Maxwell and Sara Stein Smith House

Melvyn Maxwell Smith and Sara Stein Smith House
Location Bloomfield Hills, Michigan
Coordinates 42°33′53.89″N 83°16′16.65″W / 42.5649694°N 83.2712917°W / 42.5649694; -83.2712917Coordinates: 42°33′53.89″N 83°16′16.65″W / 42.5649694°N 83.2712917°W / 42.5649694; -83.2712917
Built 1949-1950
Architect Frank Lloyd Wright
Architectural style Usonian
NRHP Reference # 97000283[1]
Added to NRHP 03/28/1997

The Melvyn Maxwell Smith and Sara Stein Smith House also known as My Haven is a Frank Lloyd Wright designed Usonian home that was constructed in Bloomfield Hills, Michigan in 1949 and 1950.[2] The owners were two public school teachers living on a tight budget. The 1957 landscape design is by Thomas Dolliver Church. The home is now on the National Register of Historic Places.

Owners

Melvyn Maxwell Smith was the son of Lithuanian Jewish immigrants whose original surname was Smiefsky.[3] He became a grade school teacher, and later a high school English teacher. While attending an art history class at Wayne State University as a graduate student in 1939, he was inspired by a presentation on Wright's famous Fallingwater house, and, on the spot, announced his intention to build a house designed by Wright himself.[4]

Sara Stein, born in 1907 in South Fork, Pennsylvania was the daughter of Lithuanian Jewish immigrants. She later became a Christian Scientist.[5] She was also a school teacher.

Sara Stein embraced Smith's vision of a Wright designed home, and the couple married on March 21, 1940.[6] They spent their careers as teachers in the Detroit Public Schools.[7] Melvyn Smith died in 1984, and Sara Smith died in 2005.[7]

The home is now owned by the Towbes Foundation. Tours are available May through October through the Cranbook Art Museum.

Design of the house

Melvyn Maxwell and Sara Stein Smith House
Melvyn Maxwell and Sara Stein Smith House

In the summer of 1941, the Smiths traveled to Taliesin, Wright's studio near Spring Green, Wisconsin. There, they met with Wright, and he agreed to design a home for them with an initial budget of approximately $9,000.00.[8]

World War II delayed the project. Melvyn Maxwell Smith was drafted into the Army in February, 1942, and served until late in 1945.

In the summer of 1946, the Smiths purchased 3.3 acres of hilly, wooded land in Bloomfield Hills for $3,600.00, which was their entire savings.[9] They again contacted Wright, and visited with him over the Labor Day weekend of 1946. After several delays, they received the preliminary house plans from Wright in March, 1947. The house was to be 1800 square feet and featured radiant heating through hot water pipes installed in the floor slab.[10] Like other Wright home designs, the house relied on passive solar energy.[11] The Smiths collaborated with Wright on a number of revisions to the house plans, and developed a close rapport with the architect during the process. Wright agreed to incorporate all of the changes they proposed, and the design was finalized in September, 1949.[12] Architect William Wesley Peters, who served as president of the Frank Lloyd Wright Foundation, wrote that Wright "never had clients who were greater in the sense of love and appreciation than Melvyn Maxwell and Sara Smith. It was a two-way road because the more that came back to Frank Lloyd Wright, the more he gave, so it was a double gain."[13]

Construction

At Wright's advice, Melvyn Maxwell Smith decided to act as his own general contractor, so that he could save money and maintain the quality standards he expected. He recruited skilled workers who wanted to work on a home designed by Wright so much that they would accept lower pay than usual. Suppliers of building materials also provided goods such as 14,000 board feet of red tidewater cypress lumber at discounted prices because of their wish to be involved with a Wright project.[14] Shopping center developer A. Alfred Taubman provided all of the windows at a deep discount[15] because he considered the house a "fantastic structure".[16]

During the construction period in 1949 and 1950, the Smiths combined income was $280.00 per month,[17] so they had to "scrimp and save in myriad ways".[17]

They moved into the house in May, 1950. One year later, they received a housewarming gift from brother-in-law Irving Goldberg of a maple dining table with eight maple chairs, two coffee tables and six hassocks, all designed by Frank Lloyd Wright.[18]

Visits by Frank Lloyd Wright

Although construction was supervised by one of Wright's subordinates, Wright visited the house himself in 1951, and called it "my little gem".[18] He visited the house again in 1953 and 1957.

Landscaping and art collection

In 1957, Melvyn Smith met with landscape architect Thomas Dolliver Church who visited the home and stayed for a spaghetti dinner prepared by Sara Smith. Church spent the night as their guest, and the following morning, produced a landscape plan on the spot for a nominal fee.[19]

The home is located near the Cranbrook Educational Community, and over the years, the Smiths built an extensive art collection, where the majority of works were by artists associated with Cranbrook. Among them are a massive chest by Paul R. Evans, a gazelle sculpture by Marshall Fredericks, and works by other artists including a sculpture by Sam Apple, exterior sculptures by Mike Calligan, weavings by Urban Jupena, interior sculptures by James Messana, and a sculpted bust of Melvyn Smith by Robert Schefman.[20] Cranbrook president Roy Slade praised the home as exemplifying "the integration of art, architecture and nature".[21] Architectural photographer Balthazar Korab produced a widely reproduced image of Calligan's "Natural Bridge" sculpture with the house as the backdrop.[11] Later, the Smiths collected works by Glen Michaels, including an accordion screen, and a triptych mosaic installed above the fireplace.[22]

Significance

According to the Michigan State Historic Preservation Office, "the use of strong horizontal roof planes, cantilevers, and the landscape emphasize the integrated relationship of the structure" and they concluded that the house is "a prime example of Frank Lloyd Wright’s Usonian design philosophy for housing the 'common' man."[23]

The National Register of Historic Places described the home's characteristics as including "ingenious building techniques, free flowing interior spaces exploding to the outdoors, as well as an 'organic' relationship to the site" and they concluded that "the home is especially pleasing at night when the spaces take on a festive atmosphere. At night from the exterior, the lights reflect off the large glass walls and mitered glass corners and give the home a crystalline quality."[24]

References

  1. ↑ "National Register of Historical Places - MICHIGAN - Oakland County". National Park Service.
  2. ↑ Watterson, Kathryn (1999). Building a Dream: The Sara Smith Story. Santa Barbara, California: Smith Publishing Group. ISBN 978-0-9678854-0-7.
  3. ↑ Watterson, p. 42
  4. ↑ Watterson, p. 46
  5. ↑ Watterson, p. 38-39
  6. ↑ Watterson, p. 67
  7. 1 2 "Sara Stein Smith, 97: Helped build own Wright home". Milwaukee Journal Sentinel. May 31, 2005. Retrieved April 22, 2012.
  8. ↑ Watterson, p. 80-81
  9. ↑ Watterson, p. 115-116
  10. ↑ Watterson, p. 125-129
  11. 1 2 Watterson, p. 176
  12. ↑ Watterson, p. 130-132
  13. ↑ Watterson, p. 132
  14. ↑ Watterson, p. 136
  15. ↑ Watterson, p. 146-147
  16. ↑ King, R.J. (January–February 2011). "A. Alfred Taubman Saves a Residential Gem". dbusiness: Detroit's Premier Business Journal. Retrieved April 22, 2012.
  17. 1 2 Watterson, p. 142
  18. 1 2 Watterson, p. 162
  19. ↑ Watterson, p. 169-172
  20. ↑ Watterson, p. 172-176
  21. ↑ Watterson, p. 172
  22. ↑ Watterson, p. 207
  23. ↑ "Melvyn Maxwell & Sara Stein Smith House". MICHIGANMODERN. Michigan State Historic Preservation Office. 2010. Retrieved April 22, 2012.
  24. ↑ "Smith, Melvyn Maxwell and Sara Stein, House" (PDF). National Register of Historic Places Registration Form. United States Department of the Interior, National Park Service. February 20, 1997. Retrieved April 22, 2012.

Further reading

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