Secondary supertonic chord

Secondary supertonic chord: ii⁷/V - V/V [- V] in C major (a7 - D7 [- G])

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In music theory, the secondary supertonic chord or secondary second, is a secondary chord, but rather than being on the dominant it is on the supertonic scale degree and rather than tonicizing a degree other than the tonic, as does a secondary dominant, it creates a temporary dominant.^[1] Thus the progression ${\frac {ii}{V}}$ - ${\frac {V}{V}}$ - ${\frac {V}{(I)}}$ .

Examples include ii7/III (F♯min.7, in C major).^[2]

Sources

↑ Blatter, Alfred (2007). Revisiting Music Theory: A Guide to the Practice, p.133. ISBN 0-415-97440-2.
↑ Russo, William (1973). Composing for the Jazz Orchestra, p.80. ISBN 978-0-226-73209-1.

By form

Triad	Major Minor Augmented Diminished Suspended

Seventh	Major Minor Dominant Dominant seventh flat five Diminished Half-diminished Diminished major Minor-major Augmented major Augmented minor Altered seventh Nondominant Harmonic seventh

Extended	Ninth Eleventh Thirteenth Upper structure Dominant 7♯9 Polychord Tone cluster

Added / omitted	Sixth Augmented sixth Lydian Seven six

Specific	Alpha Bridge Complexe sonore Dream Elektra Farben Grandmother Magic µ Mystic Northern lights Petrushka Psalms So What Tristan Viennese trichord

General	Mixed interval Secundal Tertian Quartal Synthetic chord

Diatonic	Tonic Dominant Subdominant Supertonic Mediant Submediant Leading / Subtonic

Altered	Approach Borrowed Chromatic mediant Neapolitan Passing

Secondary	Secondary dominant Secondary leading-tone Secondary supertonic

Other	Common Contrast Primary triad Subsidiary

Techniques

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